Loading, please wait...
LOT 0218
Large Western Asiatic Bronze Figure of a Bull
CIRCA 10TH CENTURY B.C.
7 1/2 in. (1.32 kg, 19.2 cm).
A heavy example modelled in the round with slender, elongated trunk, thick neck and prominent horns, vestigial ears below; Anatolian workmanship.
Provenancewith Christie's, New York, 8 June 2001, no.363.
Private collection, Europe.
Accompanied by copies of the relevant Christie's catalogue pages.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12414-226675.
Cf. similar in the Walters Art Museum, New York, under accession no.54.1671; and Peltenburg, E., The Burrell Collection: Western Asiatic Antiquities, Edinburgh, 1991, item 99, for type; cf. also Kozloff, A.P., Animals in Ancient Art from the Leo Mildenberg Collection, Mainz am Rhein, 1981, fig. 60, for a similar example; Kozloff, A.P., Mitten, D.G., More Animals in Ancient Art, from the Leo Mildenberg Collection, Mainz Am Rhein, 1986, nos.16,18; Zahlhaas, G., Animals in Ancient Art, Out of Noah's Ark, from the Leo Mildenberg Collection, Mainz, 1997, fig.140, for similar.
FootnotesBulls with raised horns have been found in central Anatolian royal burials. Among the sacred animals found in the royal graves of Alacahöyük, the bull and the deer are always present. This simplified figure of a young and spritely standing bull recalls the Baltimore bull and the other two examples in the Cleveland Museum of Art. Images of bulls were mounted on standards, used in battlefields or in religious processions, or as in the royal graves of Alacahöyük, they were used to decorate cult furniture or shrines.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Mesopotamian Terracotta Jug with Animal Head
10th-8th century B.C.Sold for (Inc. bp): £351
Fusiform in profile with transverse ribbing to the front and vertical slot, beast-head finial, loop handle and five holes to the reverse. 512 grams, 27.2 cm
UK collection, 1990s. Acquired on the UK art market, before 2000. Private collection, Mr M.V., a London-based businessman. -
Large Sogdian Silver-Gilt Wild Boar Rhyton
5th-6th century A.D.Sold for (Inc. bp): £65,000
A Sogdian or Sasanian head of a wild boar with detailed facial features including large snout, curled tusks, alert eyes with heavy eyelids, erect ears, the animal's mane framing the head and back; a series of small circles decorating the cheeks; an oval vessel mouth emerging from the mane and the spout formed as a pierced stud at the centre of the boar's chest. 1.3 kg, 21.5 cm long
with a New York gallery, 1970s. Private collection, London. Accompanied by three black-and-white photographs taken prior to cleaning, believed to date from the 1970s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12979-246395.
The production of silver vessels and dinner objects for the court was highly centralised within the Sasanian Empire. In the 5th and 6th century AD, the production of silver vessels expanded, creating new shapes, such as pitchers, elliptical bowls and high-footed bowls. If the iconography included both Dionysian and Christian imagery, the subjects linked with royal power were the favourites, and among them, the boar. The boar was, in fact, the animal associated with the Zoroastrian Izad Vahram, the epitome of victory. It was not a coincidence that one of the usurpers of the Persian throne, the general Farrukhān, took the title of Shahrbaraz (reigning in 630 AD), whose name means ‘The Boar of the Empire’, attesting to his dexterity in military command and warlike personality. Shahrwarāz derived in fact from the middle-Persian word shahr (country) and warāz (boar). -
Abbasid Three-Colour Lustre Pottery Bowl Group
10th century A.D.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £576
Of rounded form on short foot with everted lip, each with hatched decoration on the reverse; one with stylised palmettes on dense dotted and hatched ground; the other with radial composition with floral branches; restored. 598 grams total, 18-19.2 cm
with Christie's, South Kensington, Art & Textiles of The Islamic & Indian Worlds, 8 April 2011, no.142. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12723-235153.