Large Romano-British Bronze Chariot Terret

Modelled in the round, comprising the lower torso and the goat-legs in vigorous motion, the left raised and bent, right leg straight with the genitals leaning against the length of the thigh, stub of the tail to the reverse; mounted on a custom-made stand. 1.4 kg total, 16.5 cm high (24 cm high including stand)



From the collection of Jan Onderdijk, Belgium, before 1980. Acquired by Mr J.R. an antiquarian in the late 1980s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12022-213655.

Statues of satyrs, relaxing, dancing, and pursuing nymphs proliferated during the third century B.C., as the cult of Dionysus, god of wine and the pleasures it bestows, grew in importance. The Romans appreciated portrayals of Satyrs and Silens, and borrowed them from Greek art, the god Pan being one of the favourite subjects. This statuette is probably a Roman copy from a Hellenistic original, similar to the specimen from the Garimberti collection, where the god, with the left leg firmly planted on the ground and the other leg raised, is carrying a basket of flowers and fruit on his back.

Modelled in the round in cream-coloured marble; the hips and right leg of a slender male standing beside a column with the lower part of an animal at the base; the figure modelled with narrow hips and waist in contrapposto stance, genitals removed, muscular leg with slender ankle; adjacent column with remains of a branch or spur at the top, developing to a flared base with a crouching hare or rabbit; mounted on a custom-made stand. 101.4 kg total, 99 cm including stand



Ex Paris collection. French gallery, Paris, 1990-2000s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12088-213904.

Despite the loss, the semi-circular rise that separated the ribcage from the abdomen highlights the muscles of a young athlete or a hero. The statue could represent many male heroes or deities (Reinach, 1897, p.210 no.2, 817 no.4), but, by comparison with a similar sculpture in the Brussels Museum, it could refer to a rare image of the handsome and ferocious hunter Hippolytus, son of Theseus and the Amazon Antiope, killed by the curse of his father due to Phaedra’s deception. The presence of the small hare or rabbit at the base of the column could confirm the hypothesis of a hunter hero, and finds its parallel with the small animals (gecko and panther) visible on the Brussels sculpture.

Wheel-cut with a narrow base and cylindrical body with gently tapering walls, concentric line decoration to the rim, body and around the base; in exquisite deep colour. 67.6 grams, 56 mm



Previously with a London, UK, gallery, 1990s. Ex JL collection Surrey, UK, early 2000s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12035-214140.