Large Romano-British Bronze Chariot Terret

Polished to an oval shape, engraved with eight theatre masks in two rows; one row with three tragic masks in profile, one depicting a satyr, and a tragic mask of an old man shown frontally; the opposing row with a tragic mask of an old man in profile, a Bacchus mask, a mask of a bearded man wearing a cap shown in three-quarter view, and a mask of a young hero facing the centre. 2.51 grams, 22.02 mm



From the collection of a late London, UK, gentleman, 1980s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12033-214124.

The masks represented seem to be relevant to the typologies of the 'new comedy', an image that appears on cameos and gems since the Augustan era.

Cuboid with impressed ring-and-dot motifs disposed 6:5, 4:2, 3:1. 35 grams, 15 mm



Found UK prior to 2000. From the important private collection of dice and gaming pieces of Colin Narbeth, London, collection no.61. Accompanied by a copy of the relevant Celtic & Roman Artefacts book pages where this object is published.

The conventional Roman dice were made in bone or lead, with dots representing numbers from 1 to 6. Roman dice from the Romano-British settlements are often poorly made and often had opposite sides that do not add up to 7.

Mould-made with convex shoulder separated from the concave discus by a narrow band of triangles and ovules, single groove around the discus, lower filling-hole, burn marks on the nozzle, flat undefined base, discus decorated with the head of Medusa within a laurel. 50 grams, 86 mm

Fine condition.

German collection formed since 1970. Acquired on the UK art market. Property of an Essex gentleman.

A Loeschcke VIII variant. The form and decoration suggest a Hadrianic date, at which time Medusa was one of the most popular subjects depicted on lamps. In ancient mythology, Medusa was one of three monstrous winged female creatures who had venomous snakes living in her hair. The story of Medusa is elaborated by the Roman poet Ovid in his Metamorphosis, which explains that Medusa was a beautiful woman until she had sex with Poseidon in Athena’s temple. Athena exacted punishment on Medusa, turning her into a monstrous creature with a glare that turned all who gazed into her eyes to stone. Medusa was eventually beheaded by the Greek hero Perseus, who used her head as a weapon which, even after being hewn from Medusa's body, could turn his enemies to stone. Perseus later presented Medusa's head to the goddess Athena, which she in turn weaponised, placing it on her shield. In classical antiquity, representations of the head of Medusa appeared in the apotropaic device known as the Gorgoneion, designed to ward-off evil and bad luck.