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LOT 1847
Large Medieval Lead Seal Matrix of Bartolomeus
CIRCA 13TH CENTURY A.D.
11/4 in. (28.7 grams, 40 mm).
Discoid with incised border and central hexafoil with pellets between the petals; Lombardic script legend '+ SIGILL : BARTOLOMEI' (seal of Bartholomew'. [No Reserve]
ProvenanceFound Lincolnshire, UK.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Medieval Bronze Turreted Ring Brooch
14th-15th century A.D.Sold for (Inc. bp): £14
With segmented shank bearing punched annulets, alternating low hatched bulbs and taller bulbs with enamel fill to the crown; tapering round-section pin. 3.32 grams, 22 mm
Ex Graham Slater collection, Cambridge, 1980s-1990s. -
Medieval Lead Pilgrim's Holy Water Ampulla
Circa 15th century A.D.Sold for (Inc. bp): £26
With lateral loops and low-profile rosette to one side and a spiral whorl to the other. 55.1 grams, 53 mm
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Medieval Stained Glass Panel of the Annunciate Virgin
Western France, 1250-1275 A.D.Sold for (Inc. bp): £5,460
Depicting Mary clad in red and green, with a green halo outlining her head, raising her hands in exclamation. 1.92 kg, 53 x 23.5 cm
Eglise Saint-Malo, Dinan, France, by repute. Acquired from the above by Mr and Mrs Junius P. Morgan, Princeton, New Jersey, USA. The Dalva Brothers collection. Accompanied by a previous cataloguing document. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12994-246433.
Although her garments are uncharacteristic of figures of the Virgin, she nevertheless almost certainly represents Mary as she appeared in a scene of the Annunciation. Both in terms of the choice of colours, and in the style and treatment of her features and drapery folds, she can be compared very closely with window panels from the third quarter of the thirteenth century removed from the Church of Saint Radegonde in Poitiers, including a window now in the Glencairn Museum in Bryn Athyn which shows in its lowermost vignette an identically dressed Virgin riding side saddle on a donkey during her flight into Egypt (fig. 1a-b).