Large Medieval Bronze Trade Weight Container

Comprising: a seal matrix with trilobed handle with initials 'PEE' or 'PFE'; a spur rowel fragment; thee buckle frames; an oval belt mount; a clothing fastener with swirling foliage; a large buckle frame and plate; an oval buckle with forked spacer; a fragment of a buckle frame with hatched decoration; two cooking vessel legs; lead bag seal inscribed 'SPILL...ERS' and 'NEWCAS' to one side, the other side with 'PATE'; a pierced lead disc; a buckle loop formed as two animals biting the crossbar; a book clasp with fleur-de-lis; a furniture fitting with a facing head with sun burst behind; a lead-alloy harness boss with a twelve-petalled flower. 426 grams total including document, 16-95 mm



Found Yorkshire, UK. From the private collection of Robin Sykes, Yorkshire, UK, formed since the late 1990s. Eighteen objects with record sheets by Jim Halliday. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

N.B. This lot is for UK purchase only.

A mixed group comprising coins, mounts, crotal bells, and other items. 200 grams total, 13-50 mm



Found Suffolk, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

N.B. This lot is for UK buyers only. Not for export.

Modelled with a threatening expression, his half-open mouth visibly contracted into an evil grin with exposed teeth, short beard to the chin and wavy locks of hair resting on the forehead with two small horns, large goat horns framing the face on both sides; mounted on a custom-made display stand. 8.4 kg total, 30.5 cm high including stand



From a collection acquired on the UK art market. Property of a West Midlands, UK, private collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

From the Romanesque era onwards, images of demons, often carved on the external sides of cathedrals and churches, were strongly linked to the fantastical and monstrous creatures of ancient myth and legend. For theologians, supernatural creatures which could not otherwise be explained were not of God and therefore had to be demonic: their incorporation in the ecclesiastic structures showed that their malevolent powers could be kept under control only through the protection of the church. This origin of Christian demons is likely to have influenced the visual representation in medieval culture as hybrid and monstrous, especially given the increased interest in Greek works from the twelfth century onwards in the West.