Large Medieval Bronze Door Key

D-section hoop with fluted shoulders, bezel with a standing dove with wings spread, holding an olive sprig in its beak. 4.61 grams, 23.11 mm overall, 18.58 x 20.13 mm internal diameter (approximate size British R, USA 8 1/2, Europe 18 3/4, Japan 18)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman.

An ellipsoid seal matrix with a strap to the reverse; incuse motif of crowned Mary seated on a throne with infant Jesus; legend to the edge within pelletted borders '*hERVIV’ ECC[’]E SWINThORPE’ MA’ (Harvey, rector of the church of Great Swainsthorpe); later replacement loop to the verso. 5.29 grams, 24 mm



The Matrix Collection, formed by David Morris since the late 1980s. Found near the site of the church of Saint Mary in October 2002. Recorded with Norwich Castle Museum, retained for consideration as Treasure and subsequently returned to the finder. Matrix Collection catalogue no.1036. Many of the seals within the collection were published in a book titled 'The Matrix Collection', by David Morris in 2012. Accompanied by a copy of the illustrated collection notes. Accompanied by a copy of Norwich Castle Museum record slip no.9724 SWAINSTHORPE (G. Linton m/d Oct 02). This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11655-198742.

The village of Swainsthorpe is situated in Norfolk, some few miles to the south of Norwich and once boasted two churches (one now ruined). Recorded and assessed by the Secretary of State’s Expert Adviser as an object of cultural interest. The RCEWA reviewed an export application and determined that it meets the third Waverley criterion, making it currently non-exportable.

An annular brooch set with decorative oak leaves, tall collet at the top set with a garnet cabochon, dagger-shaped pin. 1.74 grams, 18 mm



Private collection, UK.

In medieval jewellery, garnets were highly prized for their deep red hue and believed mystical properties. Associated with protection, vitality, and divine love, garnets were thought to ward off illness, protect against injury, and illuminate the darkness—both literal and spiritual. Their rich colour made them a symbol of Christ’s sacrifice, and they frequently appeared in religious and funerary jewellery. Garnets were also connected to concepts of faithfulness and truth, making them a popular choice in personal adornment and ecclesiastical pieces throughout the Middle Ages. Oak trees were widely regarded as symbols of strength, stability, and endurance, owing to their longevity and robust nature. In jewellery, oak leaves could represent resilience, fortitude, and the ability to withstand adversity—virtues admired in both secular and religious life. Within Christian art and ornamentation, the oak also carried spiritual significance, evoking the Tree of Life and the strength of faith. It was often interpreted as a symbol of God’s protection, particularly in devotional objects or pieces with sacred motifs.