Large Greek Bronze Fibula

Plano-convex with incuse image of spiked club and lionskin mantle, repaired. 1.8 grams, 17 mm



Acquired in the 1970s. Ex London, UK, collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12386-226380. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Carved in the form of an elaborate palmette with stems in the form of spiral tendrils rising from acanthus leaves, a small rosette at the top between the converging fronds; holes on the reverse for attachment to shaft; mounted on a custom-made display stand. 57 kg total, 47 cm (53.5 cm including stand)



Acquired on the New York, USA, art market, 1994. with Christie's, London, The Stanford Place Collection of Antiquities, 26 April 2006, no.30. Private collection, UK. Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by copies of the relevant Christie's 'Stanford Place Collection' catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12614-235145. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

This iconography was adapted from the Egyptian and Asiatic honeysuckle, also known as lotus palmette. First depicted on Attic white-ground lekythoi; in the 5th century B.C., then as architectural decoration, carved marble examples of this type of funerary monument were erected in the 5th-4th century B.C. It was not unusual for the anthemion to be of higher quality than the figures sculpted and painted beneath it. One splendid example is the stele of Paramythion (cf. Brinkmann-Wünsche, 2004, pp.148ff.). These memorials, originally painted, were venerated by families, anointed with oil, decorated with ribbons, and graced with offerings of food.

Crescentic frontal panel from a necklace or collar; sheet gold band with slight carination, lightly incised leaf and berry detailing; applied filigree band to each end with double-loop attachment points; three applied foil rosettes; eleven banded agate dangles to the lower edge with sheet gold suspension; a marriage of ancient parts. 33.84 grams, 15.2 cm



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12591-232174. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Rosettes were one of the most desired decorations on jewellery. Diadems with rosettes are attested from the archaic period onwards. One of the rosette types was the so-called flower-head from Madytos, which most closely resembled the common wild or dog rose. The rose was, of course, much prized in ancient times for its wonderful scent and as the favoured flower of Aphrodite, the goddess of love: the lyric poet Anakreon called it ‘the perfume of gods, the joy of men’.