Large Egyptian Stone Hieroglyphic Scarab for Amenhotep III

Black hardstone scarab with finely carved head, eyes, clypeus, prothorax, elytra, and legs; plain underside. 38 grams, 48 mm



Ex Irene Newman, Birdham, Chichester, West Sussex, England. with Stride & Son Auctioneers, Chichester, West Sussex, England, 23 April 2015, no.1599 [Part]. Acquired by the present owner at the above sale.

The scarab, representing the dung beetle, was a popular amulet in ancient Egypt for about two thousand years until the Ptolemaic Period. It extended beyond Egypt and was exported to and manufactured in regions like Phoenicia and Israel. The beetle is named khepri and was considered the embodiment of the creator god Khepri. The Egyptians believed that the beetle emerging from the dung ball was an act of self-creation.

Restrung as an openwork panel with a winged scarab above and the Four Sons of Horus below as two opposing pairs; restrung with some later beads. 34.6 grams, 15 cm



From an early 20th century Home Counties, UK, collection.

These elements would have been placed on the chest and body below a beadwork mummy mask. Winged scarabs were often used as funerary amulets and believed to symbolise the deceased's rebirth and regeneration. The Four Sons of Horus protected the deceased's internal organs. Here, on the left, is the erect-eared jackal-headed Duamutef who protects the stomach, followed by the falcon-headed Qebehsenuef, who protects the intestines, then the human-headed Imsety, protector of the liver and, finally, the baboon-headed Hapy on the right, protector of the lungs.

With a tall, flaring cup rounded at the base, attached to a short stem supported on a flared foot; the outside of the cup decorated with petals modelled in relief and a ribbed rim; the stem and foot plain; some restoration. 126 grams, 16 cm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12099-214088.

Faience chalices shaped like the flowers of the blue lotus (Nymphaea caerulea) first appeared in the 18th Dynasty. The blue lotus chalices were believed to have been used for cultic or votive purposes in temples or in rituals offered to the dead. Known as 'Seshen' by the ancient Egyptians, the blue lotus was a symbol of solar concepts associated with rebirth, probably because its flowers opened in the morning and closed at night. Hence, it is not surprising to find that the lotus was prominently featured in ancient Egyptian funerary art, particularly in banqueting scenes honouring the deceased, and in bouquets that adorned the coffin and bier of the deceased. It is also believed that the flower petals were used to make perfume, and that the ancient Egyptians took advantage of the lotus's narcotic properties. The extracted essence was added to wine to enhance its pleasurable effects, as depicted in banqueting scenes with intoxicated guests.