Large Egyptian Quadruple Eye of Horus Amulet

Modelled seated with his arms by his sides, wearing a sidelock of youth and the remains of an elaborate hem-hem crown; partial suspension loop behind the headdress. 20.7 grams, 72 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

Harpocrates is the Greek version of the Egyptian Hor-pa-khered, which means ‘Horus the Child’. This name refers to Horus as the divine infant of Isis and Osiris. Wearing an amulet of Harpocrates was believed to provide the same protection that Isis offered to her beloved son.

Showing a female figure as part of a procession, carrying a loaf of bread, a second offerant behind her; mounted on a custom-made display stand. 3.12 kg total, 42 cm high including stand



From the estate of the late Professor Dr E. Bernardo Streiff, Geneva; a distinguished collection of antiquities formed during the 1950s-1970s. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12625-236383.

Professor Dr E. Bernardo Streiff (1911-2001) was a prominent Swiss physician and academic based in Geneva, best known for his contributions to medical science as well as his deep passion for ancient art and antiquities. Over the course of several decades, particularly between the 1950s and 1970s, Professor Streiff assembled a highly regarded private collection of antiquities, reflecting both scholarly discernment and aesthetic sensitivity. His interests focused on the art and material culture of the ancient Mediterranean, with a particular emphasis on Greek, Etruscan, and Roman objects. A connoisseur guided by academic rigour, Dr Streiff maintained close ties with museums, galleries, and archaeological experts of his time. Many pieces from his collection were acquired from leading European dealers and fairs, and are notable for their quality, provenance, and condition. Following his passing, objects from the Streiff collection have appeared in respected sales and exhibitions, recognised for their integrity and the refined eye of the collector behind them.

Figure of Bastet as a cat with pointed ears, seated on a rectangular base with a rounded end; suspension loop on the back, ear repaired. 2.51 grams, 26 mm



Ex London gallery and Belinda Elliston, a member of the Egyptian Exploration Society, 1940s onwards.

In ancient Egypt, the cat was venerated as the sacred animal of the goddess Bastet, whose principal cult centre was Bubastis in the Nile Delta. Although cats were once part of folk practice, their veneration as part of formal cults spread across Egypt during the Late Period. Bastet was closely linked to lion-headed goddesses like Sekhmet, Tefnut, and Pakhet, and the cat itself became associated with solar imagery: the Book of the Dead portrays the sun god as a Great Cat vanquishing Apophis beneath the sacred Ished Tree. The cat could also embody the Eye of the Sun or, more often in Bastet’s case, the Eye of the Moon. Mummified cats were frequently dedicated as votive offerings, and some of their feline-shaped coffins were adorned with finely crafted bronze heads to enhance their divine likeness.