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LOT 0459
Large Egyptian Faience Isis Amulet
LATE PERIOD, 664-332 B.C.
3 in. (19.21 grams total, 76 mm including stand).
Pale cream amuletic figure of Isis with crown formed as two horns flanking the sun-disc, and a uraeus at the front, wearing a calf-length robe, with dorsal pillar and rectangular base.
ProvenanceEx P.A. collection, London, UK, 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Daressy, G., Catalogue général des antiquités égyptiennes du Musée du Caire N° 38001-39384 Statues de divinités, Cairo, 1906, pl. XLIV (38.879), for a comparable figurine.
FootnotesIn ancient Egyptian mythology, Isis was the sister-wife of Osiris and the mother of the sky god Horus. She is associated with aspects of fertility and motherhood and is often depicted in various artworks seated in a nursing pose with her son Horus on her lap.
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LOT 0459
Large Egyptian Faience Isis Amulet
Estimate £250 - 350€290 - 410 (for guidance only)$340 - 470 (for guidance only)
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Egyptian Silver Bastet as Seated Cat Amulet
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £715
Seated figure of a cat with pointed ears mounted on a rectangular base with a rounded end; suspension loop on the back. 0.34 grams, 8 mm
From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The cat was sacred to Bastet, a protective mother goddess and the daughter of the sun god Re. Amulets offered the wearer the goddess's protection. Her name means ‘she of the bast [ointment jar],’ which may have contained a substance favoured by or exclusive to royalty. Originally, Bastet was depicted as a woman with the head of a lioness, but by the late New Kingdom, she was usually shown with a cat's head. She is sometimes portrayed with kittens, emphasising her maternal role as a fierce protector of offspring. -
Egyptian Green Glazed Faience Amulet of a Seated Sphinx
Kushite Kingdom, 25th Dynasty, circa 747-656 B.C.Estimate: £1,000 - 1,400 (+bp*)
Opening Bid: £500
Figure of a sphinx in seated pose on a tongue-shaped base, with loop between the shoulders and Nubian hairstyle. 17.48 grams total, 51 mm including stand
with Charles Ede Ltd, London, UK. Private collection, London, UK, acquired from the above on 28 April 1994. Accompanied by a copy of the Charles Ede invoice. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The 'Nubian' hairstyle was worn by young women in connection with birth, nursing babies and applying cosmetics. -
Egyptian Steatite Portrait of a Ptolemaic Prince
2nd-1st century B.C.Estimate: £3,000 - 4,000 (‡+bp*)
Opening Bid: £1,500
With a round face featuring large eyes, a narrow nose that broadens at the end, and full lips downturned at the corners, the forehead has a distinctive deep furrow above the brow; a narrow, twisted diadem encircling his wavy hair; mounted on a custom-made display stand. 84 grams total, 10 cm including stand
Private collection, Bern, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12631-236408. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Greek hairstyle is a characteristic feature of Ptolemaic royal portraiture, as is the twisted diadem - a Greek interpretation of the Egyptian headband (the sšd) - which appears on several portrait heads of Ptolemaic boy-kings and princes. The distinctive furrow is intriguing, as it contrasts with the typically blemish-free physiognomy of most Ptolemaic royal sculpture. However, a similar furrow can be seen on the portrait head of a provincial governor from Dendera, dated to the 2nd century B.C. (Bothmer, B.V., Egyptian Sculpture of the Late Period 700 B.C. to A.D. 100, New York, 1960, pp. 144-143, pl. 112, nos. 301-302), which may indicate an artistic trend employed in high-status sculpture at that time. It has been suggested that small royal portrait heads, such as this example, may have served as votives. The lack of an Egyptian-style back pillar on this and similar pieces supports the possibility that they were inserted into statues made of different materials (Ashton, S.-A., Ptolemaic Royal Sculpture from Egypt, BAR International Series 923, Oxford, 2001, p.12).
