Loading, please wait...
LOT 0512
Large Egyptian Expedition Lithograph Print with Hieroglyphs
1820 A.D.
53 1/2 x 26 in. (360 grams, 136 x 66 cm).
Willemin - Thèbes - Hypogées - Manuscrit sur papyrus en caractères hiéroglyphiques. Troisième partie - Proof etching on laid paper of plate 74 from La Description de l’Égypte: Antiquités, Volume II: Commission des sciences et arts d’Égypte with later backing sheet. [No Reserve]
ProvenanceFrom the collection of a North American priest.
Acquired between 1981-1996.
Property of a North American collector.
Cf. Description de l'Égypte: ou recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand, Antiquités, planches, tome deuxième, Paris, 1822, planche 74.
LiteratureCf. Description de l'Égypte publié par les ordres de Napoléon Bonaparte, Köln, 1994, pp.250-251.
FootnotesProduced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The papyrus manuscript was recovered from the underground chambers (hypogea). The original papyrus is now held in the Bibliothèque Nationale (1-19), Paris (Papyrus Cadet).
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0512
Large Egyptian Expedition Lithograph Print with Hieroglyphs
Sold for (Inc. bp): £111
-
Egyptian Faience Mummy Bead Mask with Four Sons of Horus
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £312
A netted beadwork panel of annular and tubular glazed composition beads in blues, greens, black, cream and red-brown colours, depicting a mummy face mask with a false beard, a scarab with extended wings below, and the 'Four Sons of Horus’ figures beneath the scarab, joined together with areas of open netting of tubular examples; restrung with some later beads. 113 grams, 30 cm
Ex Mariaud des Serres, Paris, France, 1990s.
Winged scarabs were often used as funerary amulets and believed to symbolise the deceased's rebirth and regeneration. The Four Sons of Horus were deities responsible for protecting the deceased's internal organs. Here, on the left, is the erect-eared jackal-headed Duamutef who protects the stomach, followed by the falcon-headed Qebehsenuef, who protects the intestines, then the human-headed Imsety, protector of the liver and, finally, the baboon-headed Hapy on the right, protector of the lungs. The internal organs were often placed in canopic jars with the head of the respective Son of Horus. Amulets depicting these deities were placed within the mummy wrappings. -
Egyptian Limestone 'Floral' Inlay Group
Roman Period, 30 B.C.-323 A.D. or earlierSold for (Inc. bp): £85
Group of discoid inlay plaques or gaming counters, crinoids with cinquefoil motif. 80 grams total, 12-19 mm
From a central London ADA gallery, 1990s.
Flowers were symbolic of rebirth due to the daily reopening of their petals after nightfall. As a result, they were widely used in domestic settings, religious and funerary contexts, and as adornments. Similar rosette discs, like those recovered from the Ramesside Period palace at Qantir, were used as decorative elements in royal palaces. -
Egyptian Blue-Glazed Faience Blue Lotus Chalice
New Kingdom-Third Intermediate Period, circa 1504-935 B.C.Sold for (Inc. bp): £9,360
With a tall, flaring cup rounded at the base, attached to a short stem supported on a flared foot; the outside of the cup decorated with petals modelled in relief and a ribbed rim; the stem and foot plain; some restoration. 126 grams, 16 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12099-214088.
Faience chalices shaped like the flowers of the blue lotus (Nymphaea caerulea) first appeared in the 18th Dynasty. The blue lotus chalices were believed to have been used for cultic or votive purposes in temples or in rituals offered to the dead. Known as 'Seshen' by the ancient Egyptians, the blue lotus was a symbol of solar concepts associated with rebirth, probably because its flowers opened in the morning and closed at night. Hence, it is not surprising to find that the lotus was prominently featured in ancient Egyptian funerary art, particularly in banqueting scenes honouring the deceased, and in bouquets that adorned the coffin and bier of the deceased. It is also believed that the flower petals were used to make perfume, and that the ancient Egyptians took advantage of the lotus's narcotic properties. The extracted essence was added to wine to enhance its pleasurable effects, as depicted in banqueting scenes with intoxicated guests.
