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LOT 0034
Large Egyptian Bronze Wepwawet Amulet
THIRD INTERMEDIATE-LATE PERIOD, 1069-332 B.C.
3 1/2 in. (4 5/8 in.) (54 grams, 91 mm (162 grams total, 11.7 cm including stand )).
Showing the jackal deity Wepwawet standing with ears pricked on a sledge, the slender body modelled with long legs and a tail, suspension loop on the back; two rearing cobras before the jackal; mounted on a custom-made display stand.
ProvenanceEx Dr R. and Mrs L.B., Zumikon, Switzerland.
with Galerie Rhéa, Zurich, Switzerland.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12627-236406.
Cf. Roeder, G., Ägyptische Bronzefiguren II, Berlin, 1956, pl. 49v, for a similar slender-bodied Wepwawet with rearing cobras and top suspension loop; Tiribilli, E., The bronze figurines of the Petrie Museum from 2000 BC to AD 400, GHP Egyptology 28, London, 2018, p. 182, no. 255, for a similar example with double cobras.
FootnotesWepwawet, meaning "Opener of the Ways," was an ancient Egyptian god associated primarily with warfare, protection, and funerary practices. Depicted as a jackal or a man with a jackal's head—often mistaken for Anubis—Wepwawet was believed to guide souls through the afterlife and open paths both in battle and in the spiritual realm.
He originated in Asyut (ancient Lycopolis) in Upper Egypt and was one of the oldest deities in the Egyptian pantheon, with worship dating back to at least the First Dynasty (c. 3100–2900 BCE). Over time, Wepwawet became closely linked to Anubis, and the two were sometimes conflated, though Wepwawet retained his distinct identity as a god who preceded and cleared the way.
In military contexts, Wepwawet was invoked to "open the way" for pharaohs and armies, ensuring victory and safe passage. In funerary texts, he was described as clearing the path to the afterlife, acting as a scout or guide for the deceased.
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LOT 0034
Large Egyptian Bronze Wepwawet Amulet
Estimate £3,500 - 4,500€4,060 - 5,220 (for guidance only)$4,730 - 6,080 (for guidance only)
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Egyptian Coptic Textile Fragment Group
Circa 5th-6th century A.D.Sold for (Inc. bp): £130
Comprising a fragment of a clavus in white and purple linen and wool, S torsion, the central scene representing a dancer; a small fragment of a double segmenta, ornamented with vegetal embroidery; two orbiculi, one embroidered with a flower inside a rondo and with a cross in the centre, the other with a simple vegetal ornament. 40 grams total including package, 7.2-15.7 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016.
The segmentum with the dancer was probably part of the vertical clavus of a tunic; it is highly probable that the embroidery refers to the Dionysian cycle, with dancers, animals and probably, in the missing parts, hunters. -
Phoenicio-Egyptian Orange Stone Scaraboid
1st millennium B.C.Estimate: £400 - 600 (+bp*)
Opening Bid: £222
Ellipsoid in plan with frieze comprising a large Maat feather, a winged sun disc, and a winged Khepri beetle. 13 grams, 27 mm
Ex collection of the late Mr S. M., London, UK, 1970-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Coptic Textile Fragment Group
Circa 4th-6th century A.D.Sold for (Inc. bp): £169
Comprising: a fragment of a segmentum in white linen and blue wool, D torsion, with remains of a medallion embroidered with architectonical ornaments; fragment of an orbiculus in linen and red, brown, yellow and blue wool, S torsion, embroidered with vegetal patterns and the central images of an animal; a further fragment of an orbiculus in white linen and red, white, black wool, S torsion, embroidered with floral buds, a tetragamma and animals; a beautiful fragment of clavus, purple wool on linen, embroidered with lions catching birds. 67 grams total including package, 10.7-26.6 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016.
Scenes featuring personified animals first appeared during the early Pharaonic period and continued through to the Coptic era. These animals are often featured in scenes of music and dance, or processions linked with Dionysiac iconography.