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LOT 0473
Large Egyptian Blue Glazed Horus Amulet
LATE NEW KINGDOM-THIRD INTERMEDIATE PERIOD, CIRCA 1300-700 B.C.
2 1/8 in. (12.5 grams, 54 mm).
Modelled in the round as a perching falcon on a rectangular base and wearing the double-crown; loop to rear of head. [No Reserve]
ProvenanceFrom an old Suffolk, UK, collection.
Acquired in the UK before 1980.
From the personal collection of Derek Rogers, Suffolk, UK.
Cf. Andrews, C., and van Dijk, J., Objects for Eternity: Egyptian Antiquities from the W. Arnold Meijer Collection, Mainz am Rhein, 2006, p.231, no.3.45, for a similar example.
FootnotesThe falcon amulet was a symbol of Horus, the god of the sky, war, and protection.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Alabaster Kohl Jars
New Kingdom, circa 1550-1070 B.C.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £556
The larger with squat profile, slight flare to the foot, carinated shoulder and small rounded rim; the smaller with wide flat rim, round shoulder and body tapering to a flat base. 310 grams total, 43-61 mm high
Mary Stout Shaw (1880-1962); thence by direct descent to the present owner. Accompanied by a copy of a 1976 family photo featuring some of the collection on display, the larger kohl jar is clearly visible on a 1976 family photo. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12197-220887.
Mary Kilgour Stone was born in 1880 in Cincinnati, Ohio. On 25 November 1903, she married Percy Wyfold Stout from Gloucester (DSO, OBE, 1875-1937), who had moved to Cairo after an international rugby career. After fighting in the First World War, Percy became the Director of the Egyptian Delta Land Company and the Anglo-American Nile Tourist Company. He and Mary were friends with the famous Major Gayer-Anderson, who worked as a doctor on the company’s cruise boats between 1930 and 1939. Gayer-Anderson tells in his memoir how this allowed him to make frequent trips to Upper Egypt and fulfil his passion for collecting (and dealing in) ancient Egyptian art. In his company, Mary became an enthusiast about all things Egypt and formed an elegant collection of ancient Egyptian alabaster vessels, including the following lots. She was particularly fascinated with the ancient cat goddess Bastet. Therefore, when Gayer-Anderson decided to give his famous ancient bronze cat to the British Museum in 1939, he made sure the donation was in both his name and Mary Stout Shaw’s, as a tribute to their friendship. -
Egyptian Alabaster Vase
New Kingdom, circa 1550-1315 B.C. or earlierSold for (Inc. bp): £156
Round in profile with flattened underside, squared rim (possibly incomplete); with old collector's manuscript note: 'Old Kingdom between 3000-1200 B.C.'. 52 grams, 39 mm
Ex Yorkshire, UK, collection, 1960s-1980s. Accompanied by an old handwritten identification slip. -
Egyptian Faience Amulet of an Ibis
Late Period, 664-332 B.C.Estimate: £500 - 700 (‡+bp*)
Opening Bid: £250
An exquisitely modelled figure of a seated ibis on a trapezoidal-shaped plinth, with its beak resting on the slender feather of Maat; light turquoise glaze for the body, plinth, and feather; blue glaze for the tail feathers, feet and neck; head missing. 3.54 grams, 31 mm
with Bonhams, Knightsbridge, 3 October 2000, no.413. Private collection, Europe.
The ibis was considered sacred to the god Thoth. It is likely that the popularity of amulets depicting an ibis resting its beak on the feather of Maat in the funerary sphere is connected to Thoth's role as the recorder of the final judgment of the deceased by the divine tribunal. This tribunal determined if the deceased had lived a virtuous life and could enter the Underworld. This was visually represented by the deceased's heart placed on scales with the feather of Maat; if the heart and feather balanced, eternity was assured.