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_900x900.jpg "Large Byzantine Gold Ring Of Mary and Eutropius")
_200x200.jpg "Large Byzantine Gold Ring Of Mary and Eutropius")
.jpg "Large Byzantine Gold Ring Of Mary and Eutropius")
LOT 0171
Large Byzantine Gold Ring Of Mary and Eutropius
6TH-9TH CENTURY A.D.
1 1/4 in. (23.66 grams, 31.00 mm overall, 19.87 mm internal diameter (approximate size British R 1/2, USA 8 3/4, Europe 19.38, Japan 18)).
Comprising a D-section hoop with flat sides bearing wave-pattern ornament and legend 'MAPIAC / EYTPOΠIOY' (belonging to Mary and Eutropius); tiered bezel with incised key-pattern and undulating line to the edges; shoulders with palmette motif; discoid plaque with incuse wreath surrounding a bird with star above and lizard; with platinum inclusions.
ProvenancePrivate English collection, formed between the late 1970s and early 1990s.
Private collection, UK.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12970-246013.
Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, items 466, 469, for type; cf. Christie's, New York, 18 December 1998, no.160 ($20,000-$30,000), a similar ring from the same workshop.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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9th-11th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
A piriform missile with domed filler-hole (chipped), segmented flanges to the sidewall and impressed texture; intended to be filled with explosive liquid and a wick, and used as a hand grenade. 844 grams, 13 cm
From an important specialist collection, London, UK, 1990s onwards. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.
Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form. -
Byzantine Bronze Reliquary Cross Pendant
10th-12th century A.D.Sold for (Inc. bp): £124
A small enkolpion with hinged undecorated plates, articulated suspension loop above. 7.12 grams, 39 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. -
Byzantine Nephrite Icon Fragment with Christ Blessing
11th century A.D.Estimate: £12,000 - 17,000 (+bp*)
Opening Bid: £6,000
Fragment of a figure carved in the half-round, with pleated garment, holding a book with a cross in the left hand and touching its edge with the right hand; to the reverse, a low-relief cross with knops to the angles, abbreviated legends 'IC / XC / NI / KA' for 'Jesus Christ is Victorious' in seriffed capitals in the spandrels of the cross, each with a superscript macron. 38 grams, 40 mm
New Forest, UK, collection, 1950s. Alexander Cotton collection, UK, 1970-1980s. London gallery 1990s, latterly a London gentleman's collection, 2000s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12912-244440.
This magnificent, if fragmentary, icon belongs to the most florid period of Byzantium’s renaissance, when, under the aegis of the Macedonian Dynasty, the political, military, cultural and economic power of the Roman Empire reached the last apex of its glory. The figure detailed in bloodstone here represents Christ, as is clear not only from the cross engraved on the back, but also from the garments he is wearing. It is likely that it is Christ as Pantocrator who is represented, maybe originally forming part of a more complex icon representing the Deesis. While this subject in Eastern Roman art is usually reserved for monumental decoration, it is sometimes found on smaller-scale objects as well, such as cameos and steatite icons.
