Lapis Lazuli Bead Necklace String

Square limestone panel with low-relief carvings on both broad faces: one side depicts the god Ptah wearing the characteristic tight-fitting skull cap, with a uraeus to the brow, and a collar with a fringe of teardrop pendants; the other side showing a male official with a wig of dense curly hair, a large lentoid eye, and a tiered collar of teardrops, triangular, pellet, and other elements in radiating bands; mounted in a bespoke wooden frame with stand. 1.38 kg total, 24 x 27 cm including stand



From a private Tyneside collection, formed since the early 2000s.

Carved in the round with deeply undercut curls, carinated eyes, aquiline nose and small mouth in a neat beard. 2.05 kg, 15.3 cm



From a private Tyneside collection, formed since the early 2000s.

Painted on a wooden board and covered with a brass riza, with mounting panel to the reverse, depicting the entrance of Christ in Jerusalem on Palm Sunday riding a donkey; crowd within the city wall; followers of Christ in the gateway; Christ with golden nimbus and letters 'ω', 'C' reversed and 'Н'; Greek script title above reciting: 'Η ΒΑΙΦΟΡΟC (Βαϊοφόρος)' (the one who is riding the mule); the background with rocks, tree and the walls of Jerusalem; arabesque decoration to the borders and corners; accompanied by a wooden stand. 762 grams total including stand, Icon: 30.5 x 22.5 cm



Ex David Miller, Hemel Hempstead, London, UK. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The scene represents a well-known part of the Gospels that describe the entry of Jesus into Jerusalem. He makes a grand entrance into the city on a donkey to fulfil the prophecy of Zechariah, “Tell the city of Zion, look, your king is coming to you! He is humble and rides on a donkey and on a colt, the foal of a donkey.” The scene is synthetized in the Greek expression ‘Βαϊοφόρος'.