Lapis Lazuli Bead Necklace String

Hollow-formed with openwork eyes and nasal cavity, hinge beneath the lower jaw which opens to reveal six compartments with internal 'lid' engraved with the names of six fragrances: 'Rosen, Citron, Schlag, Rosmarin, Negeln, and Canel', the other side to contain a sponge soaked in the perfumed oils and spices, a short length of chain suspended from the top of the skull. 25.4 grams, 38 mm



Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13004-246014.

Originally a talisman to ward off sickness and noxious odours, this item of jewellery could be worn around the neck or suspended from a belt. The Pomander scent carrier, with chambers for the herbs and spices, was popular in England and on the continent during the 16th and 17th centuries. Intended to protect the wearer from sickness, it was designed to be worn around the neck or waist on a rope by wealthy aristocrats.

Depicting the Holy Trinity, represented by three winged figures, each with a three-prong staff, sitting on stools around a table with three cups, trees and the outline of a cathedral behind. 67.5 grams, 62 mm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The subject is based on the traditional Russian interpretation of Genesis,18, in which three figures appear to Abraham at the oak tree of Mamre. The central figure is usually identified as Jesus Christ, while God the Father is on the right and the Holy Spirit on the left. The subject of the icon originated from a very famous 15th century painting by Andrei Rublev.

Representing Saint Nicholas of Myra with a book in his left hand and making the gesture of blessing with his right, dressed as a bishop with sticharion, covered by omophorion, and surmounted by an epitrachelion embroidered with crosses; the saint flanked by Jesus and Virgin Mary, Christ holding the gospel, Mary the bishop’s epitrachelion; Cyrillic inscriptions 'Saint Nikolaos the Wonderworker (СВЯТЫЙ НИКОЛА ЧУДОТВОРЕЦ), Iesus Christos (ΙΣ ΧC) and Mother of God (ΜΡ ΘΥ)' on the enamelled background. 348 grams, 10.7 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The icon features meticulous craftsmanship typical of Orthodox iconography. The enamel colors, despite the passage of time, retain their vibrant intensity, highlighting the key elements of the depicted images. The refined details and use of enamel give depth and luminosity to the icon, making it a precious example of the Russian Orthodox tradition.