LOT 2981
Judaea, Procurators. Marcus Ambibulus AE Prutah. 9-12 CE.
Dated CY 41 (10/11 CE). KAICA-POC, grain ear / Palm tree; L ΜΑ (date) across fields. RPC II 4957; TJC 315; Sofaer 7; Hendin 1331. Very Fine.(2.03gr, 17mm, 12h.).
ProvenanceProperty of a North London, UK, gentleman.
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AUCTIONS:
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Maximian BI Tetradrachm of Alexandria, Egypt. First reign, AD 286-305.
Sold for (Inc. bp): £7
Dated RY 5 (AD 289/0). Α Κ ΜΑ ΟΥΑ ΜΑΞΙΜΙΑΝΟϹ ϹЄΒ, laureate, draped and cuirassed bust to right / Nike advancing to right, holding wreath and palm; L Є (date) across fields. RPC X Online Unassigned ID 88733; Dattari (Savio) 10734; Emmett 4147.5. 7.78gr, 19mm, 12h.
Very Fine.
From the collection of a gentleman, acquired on the London art market in the 1990s. -
Gallienus AE 28mm of Seleucia ad Calycadnum, Cilicia. AD 253-268.
Estimate: £40 - 60 (‡+bp*)
Opening Bid: £18
ΑV Κ Π ΛΚ ΓΑΛΛΙΗΝ-ΟϹ, laureate, draped and cuirassed bust to right / ϹЄΛЄVΚЄΩ ΚΑ- around, ΛV[...]-ΔΝ in field to left, Athena standing to right, holding shield and striking with spear at serpent-legged giant, who hurls stone. RPC X Online Unassigned ID 60515. 9.54gr, 28mm, 6h.
Good Very Fine. Double struck of reverse.
Private collection, acquired 1980–1985.
The reverse type features Athena fighting the giant named Enceladus during the Gigantomachy, the war between the Giants and the gods. This scene appeared in art as early as the sixth century BC on an Attic black-figure pot, and is referenced in Euripides' Ion. Ancient poets located the burial spot of Enceladus under Mount Etna in Sicily, and the volcano's eruptions were said to be the breath of the giant, and the tremors caused by him rolling over under the mountain. (Virgil, Aeneid 3.570-587) -
Tacitus BI Tetradrachm of Alexandria, Egypt. AD 275-276.
Sold for (Inc. bp): £46
Dated RY 1 (AD 275/6). A K KΛ TAKITOC CЄB, laureate, draped and cuirassed bust to right / Eagle standing to left, head to right, wreath in beak; ЄTOVC A (date) to left and right. Köln 3113; Dattari (Savio) 5520; K&G 110.1; Emmett 3974.1. 8.22gr, 20mm, 12h.
Good Very Fine.
From the collection of a gentleman, acquired on the London art market in the 1990s.
