.jpg "Ionia, Kolophon AR Tetartemorion.")
LOT 2948
Ionia, Kolophon AR Tetartemorion. Circa 530-500 BC.
Archaic head of Apollo(?) to left / Quadripartite incuse square punch. Kim & Kroll 84-103; SNG Kayhan 343-7; SNG von Aulock 1810. Extremely Fine. Toned. Sharply struck and well-centred.(0.23gr, 5mm.).
ProvenanceAcquired in London in 2011.
Private collection, Switzerland.
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AUCTIONS:
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Sasanian Kingdom. Peroz I AR Drachm. AD 457/9-484. Unclear mint.
Sold for (Inc. bp): £33
Bust to right, wearing crown with two wings, frontal crescent, and korymbos set on crescent, ribbon over each shoulder / Fire altar with ribbons; flanked by two attendants; star and crescent flanking flames. Cf. SNS type IIIb/1e. 2.96gr, 26mm, 3h.
Near Very Fine.
Acquired on the UK market before 2000. Property of a London, UK, gentleman. -
Phoenicia, Marathos AE 20mm. 130/29-24/3 BC.
Sold for (Inc. bp): £33
Laureate head of Zeus to right / Double cornucopiae. HGC 10, 195. 8.41gr, 20mm, 1h.
Very Fine.
Property of a Cambridgeshire, UK, gentleman. -
Thessaly, Pharsalos AR Drachm. Late 5th-mid 4th century BC. Signed by the engraver ΤΗΛΕΦΑΝΤΟΣ (Telephantos) and ΙΠ- (Ip-).
Estimate: £3,000 - 4,000 (‡+bp*)
Opening Bid: £1,600
Head of Athena to right, wearing crested Attic helmet with raised cheek pieces; behind neck, ΤΗ above ΙΠ (engravers' initials) in small lettering / Φ-Α-Ρ-Σ clockwise around Thessalian cavalryman riding horse prancing to right, wearing petasos, chlamys and chiton, and holding lagobolon over his right shoulder; in exergue, Τ (engraver's initial). Lavva 86 (O43/R51); BCD Thessaly I 1284 var. (TH in exergue); BCD Thessaly II 639 var. (no ΙΠ); HGC 4, 624. 5.95gr, 18mm, 9h.
Good Extremely Fine. Tiny cut on reverse. Attractive toning with golden iridescence around the devices. Sharply struck and surprisingly detailed.
From a Swiss collection, acquired prior to 2005. Ex Nomos AG, Auction 21, 21 November 2020, lot 145 (company's ticket included).
If the harmony and the aristocratic inner peace of the portraits are the first thing that catches our attention, it is the extremely detailed rendering of the figures, especially on the reverse, that makes the viewer cling more to their admiration for this coin. Each depiction of Athena’s head in these emissions of Pharsalos makes us believe that she has her own character and that no two are the same, even though they share the same characteristics. Athena in our coin looks like a tender girl with a serious but innocent look in her eyes. Her divine power, despite her young age, is not violent; it is simply inherent in the serenity of her gaze. On the other hand, the detailed rendering of the cavalryman’s and horse's face, the texture of his chlamys, the harmonious matching of muscles and joints in the horse's body, and even the pronounced veins in the horse's belly convince us of a talented engraver and a gifted artist.
