Indonesian Tau Tau Funerary Wooden Head

A hand-carved female figure standing on a base holding a child in front of the figure and displaying scarification to the face and breasts. 1.38 kg, 68.5 cm



From Equatorial Guinea, West Coast of Central Africa. From an old Bristol, UK, ethnographical collection. From the property of a late Lincolnshire, UK, gentleman.

The people that are called “Fang” in the geographic or ethnographic literature number 800,000 and constitute a vast mosaic of village communities, established in a large zone of Atlantic equatorial Africa comprising Cameroon, continental Equatorial Guinea and nearly the whole north of Gabon, on the right bank of the Ogowe River. The Fang practice a cult devoted to ancestor lineages, the Bieri, whose aim is to both protect themselves from the deceased and to recruit their aid in matters of daily life. Bieri are reliquary figures placed by the Fang upon their bark boxes to personify the tribal soul, containing the skulls and skeletons of prominent deceased persons. The Bieri also served for therapeutic rituals and, above all, for initiations of young males during the great so festival. The rites included consumption of a plant with stimulant properties, which induced a trance lasting for several hours, and the “resuscitation of the ancestors,” in which figures detached from the reliquaries were moved somewhat playfully from behind a raffia screen as puppets.

Carved in the round naked female with knees flexed standing on a grotesque male head. 1.43 kg, 65 cm



From Cameroon, Central Africa. From the estate of Dr J Bynon. From the property of a late Lincolnshire, UK, gentleman.

This is a carved wooden tribal figure, part of the door frame of the Chief's house, from the Bamileke tribe. A large number of prestigious items of paraphernalia were produced within the Grassland area, including large house-posts, door and window frames carved with human and animal figures, thrones, stools and tables decorated with small heads and figures, large bowls, carved horns for royal feasts, anthropomorphic terracotta and bronze pipes.

Teardrop-shaped in plan with two scooped facets, slit eyes; pierced around the edge for attachment. 57 grams, 14.7 cm



From Democratic Republic of the Congo, Central Africa. From the Estate of Dr J Bynon; acquired 22 February 1914. From the property of a late Lincolnshire, UK, gentleman.

Most of Lega masks are sculptures of a human face that are rarely worn over the face and never for purposes of true transformation. The Lega masks can be assigned different uses and meanings depending on the context of the performance. In Bwami ceremonies, masks are attached to different parts of the body, fixed to hat, piled in stacks, hung on fences, held in the hand, dragged on the ground, and occasionally worn on the forehead with the beard draping over the face of the wearer or arranged on a miniature palisade. Participants in most rites display their masks as a group in conjunction with particular dance movements and aphorisms, which vary depending on the context in which they are used. Lega masks differ from those used in many other African masquerades in that while women do not own them, both men and women handle and present them in very similar performances. Masks are among the initiation objects displayed on the grave before being passed to new owners. They are usually passed from an uncle to a nephew.