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LOT 0605
Indo-Greek Terracotta Forger's Mould Group
CIRCA 2ND-1ST CENTURY B.C.
1 - 1 1/4 in. (57 grams total, 25-30 mm).
Group of discoid clay moulds for casting contemporary counterfeit coins. [12, No Reserve]
ProvenancePrivate collection formed in the 1990s.
Acquired from a central London gallery.
Property of an Essex, UK, gentleman.
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AUCTIONS:
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Greek Figural Alabastron
Archaic, 6th century B.C.Estimate: £700 - 900 (‡+bp*)
Opening Bid: £360
The free-standing perfume vase modelled as a standing and draped female figure, the neck and mouth of the vessel possibly formed as a modius worn on her head, holding what is possibly a dove to her chest; moulded and painted detailing to her face and garments; heavily repaired. 269 grams, 22 cm high
Acquired in Europe before 2001. -
Graeco-Roman Terracotta Figure
2nd century B.C.-1st century A.D.Estimate: £500 - 700 (‡+bp*)
Opening Bid: £250
Tanagra-type hollow-formed figurine of a nude female with dressed hair; hole to the reverse and underside; repaired. 46 grams, 11.3 cm
Private collection of Mr S.A., Switzerland, 1990s, thence by descent. -
Etruscan Bronze Statuette of Herakles
4th-3rd century B.C.Sold for (Inc. bp): £18,200
Modelled in the round with a muscular nude body, his club resting on his shoulder and the hair dressed in rows of tight, close-set curls underneath the Nemean lionskin hood with cloak billowing over his left arm, the paws tied across his chest; mounted on a custom-made display stand. 290 grams total, 14.5 cm high (19.5 cm high including stand)
Fine condition, excellent uniform patina.
with Sotheby's, New York, 21 November 1985, no.60. Ex private New York collection. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11794-206497.
The statuette assumes the position of the 'attacking Hercules', which characterises numerous Etruscan statues of the hero of the classical era, however, with a less aggressive stance. The type was probably an Etruscan creation of the 5th century B.C., based on Greek models, which lasted until the end of the Hellenistic period, when Etruria was by then incorporated into the Roman world. This statuette, despite certain anatomical stylisation and an impersonal characterisation of the face, is the result of a good artistic and technical quality. The comparison of the artwork with the group identified as ‘Trieste’ from Colonna shows that this specimen is more recent and should be dated to the end of the Hellenistic Age. These small statuettes were probably offered ex-voto by the Romano-Etruscan aristocracy of the period.
