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LOT 0353
Illuminated Medieval Book of Hours Manuscript Page
FLEMISH, CIRCA 15TH CENTURY A.D.
10 1/2 x 7 7/8 in. (142 grams total, 26.6 x 20 including mount, window: 14.5 x 8.8 cm).
Mounted in a bifacial frame to display recto and verso; band of detailed floral ornament to the outer edge with central figure in a short pea-jacket; fifteen-line block of bastarda-script text with Latin text (e.g. Pinguescent speciosa deserti: et exultatione colles accingentur from Psalm 64:13); coloured versals and decorative panels.
ProvenanceEx Hedwig collection, Brussels, thence by descent, 2000s.
Accompanied by a Belgian cultural export licence.
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Medieval Iron Knife with Bronze Lion Handle
15th century A.D.Sold for (Inc. bp): £234
Ferrous single-edged blade with scooped point; bronze handle formed as a lion sejant holding a kite shield; pierced at the jaws. 37.4 grams, 15 cm
Acquired on the UK art market before 2000. Property of an Essex, UK, gentleman. -
Medieval and Later Bronze Artefact Collection
14th-18th century A.D.Sold for (Inc. bp): £20
Including a spur rowel, finger ring, key bow, buckle loop and other items. 133 grams total, 23-79 mm
From various collections, acquired circa 1950-early 2000s. From the property of a late Lincolnshire, UK, gentleman. -
Medieval Stained Glass Panel of the Annunciate Virgin
Western France, 1250-1275 A.D.Sold for (Inc. bp): £5,460
Depicting Mary clad in red and green, with a green halo outlining her head, raising her hands in exclamation. 1.92 kg, 53 x 23.5 cm
Eglise Saint-Malo, Dinan, France, by repute. Acquired from the above by Mr and Mrs Junius P. Morgan, Princeton, New Jersey, USA. The Dalva Brothers collection. Accompanied by a previous cataloguing document. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12994-246433.
Although her garments are uncharacteristic of figures of the Virgin, she nevertheless almost certainly represents Mary as she appeared in a scene of the Annunciation. Both in terms of the choice of colours, and in the style and treatment of her features and drapery folds, she can be compared very closely with window panels from the third quarter of the thirteenth century removed from the Church of Saint Radegonde in Poitiers, including a window now in the Glencairn Museum in Bryn Athyn which shows in its lowermost vignette an identically dressed Virgin riding side saddle on a donkey during her flight into Egypt (fig. 1a-b).
