Loading, please wait...
Details
LOT 2035
Hoi An Cargo Shipwreck Glazed Bowl Group
15TH CENTURY A.D.
5 - 5 1/4 in. (880 grams total, 12.7-13.5 cm).
Each a bell-shaped bowl with blue or polychrome floral motifs inside and out, concentric rings, one with central floral design. [3, No Reserve]
Provenance
Ex Butterfield and Butterfield auction with official Hoi An Hoard labels.
Accompanied by an illustrated information sheet about the Hoi An shipwreck.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Literature
Cf. The Bach, N., Vietnamese Ceramics in Asian Maritime Trade between 14th and 17th centuries Hanoi, 2014, figs.4,8 for similar bowls with high feet.
Footnotes
In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Chinese Wei Terracotta Female Figure
Northern Wei, 386-534 A.D. or laterEstimate: £150 - 200 (+bp*)
Opening Bid: £83
Modelled in the half-round wearing a floor-length robe and with the hands clasped at the midriff inside the bell-sleeves; dorsal pillar to reverse. 1.12 kg, 32 cm
Ex West Country, UK, collection, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Chinese Ming Green-Glazed Musician with Drum
Ming Dynasty, 1368-1644 A.D. or laterSold for (Inc. bp): £46
Modelled standing on a tiered base; wearing a tall hat, a floor-length robe and boots; arms held in front of his body above a drum strapped to his waist; green and brown glaze. 494 grams, 24 cm
Ex H.N. collection, Milton Keynes, UK, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
China provides some of the earliest traces of music making. These are mainly in the form of well-preserved musical instruments, the tangible evidence of music. Over several millennia, musical instruments from regional indigenous traditions as well as from India and Central and West Asia were assimilated into the mainstream of Chinese music. Some of the most ancient instruments have been retained, transformed, or revived throughout the ages and many are in common use even today, testifying to a living legacy of a durable art. This legacy is frequently celebrated in the visual arts of China, documenting rituals and celebrations, or as status symbols of those whose lives were enhanced by the resonate sounds of instruments. Ancient Chinese people believed they would go to an afterlife when they died. So they placed miniature versions of things for everyday use in tombs for the deceased, such as these musicians, hoping that the dead could enjoy the next life like when they were alive. These grave objects gradually developed into funerary artworks and reflected the social standing of the deceased. -
Chinese Wei Terracotta Brick
Northern Wei Dynasty, 386-534 A.D. or laterSold for (Inc. bp): £390
Possibly depicting Guanying seated in an attitude of tranquil ease, right arm raised and holding a green sash and left one resting on the knee; characteristic elongated earlobes, wearing voluminous robes. 3.8 kg, 33 cm
Ex Hong Kong collection, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
