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LOT 2147
Hoi An Cargo Shipwreck Glazed Blue and White Vessel Group
15TH CENTURY A.D.
2 7/8 - 3 5/8 in. (376 grams total, 72-91 mm).
Comprising: a bulbous vase with painted floral decoration and loop handles above the shoulder; a small shallow vessel with painted linear decoration to the body, decorative border beneath the rim; a small bulbous vessel with painted flowers and tendrils. [3, No Reserve]
ProvenanceEx Butterfield and Butterfield auction with official Hoi An Hoard labels.
Accompanied by an illustrated information sheet about the Hoi An shipwreck.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. similar vessels in Asian Art Museum, inv.no.2000.31, from the Hoi An Cargo
FootnotesIn the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
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AUCTIONS:
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LOT 2147
Hoi An Cargo Shipwreck Glazed Blue and White Vessel Group
Sold for (Inc. bp): £286
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Chinese Painted Terracotta Storage Jar
Neolithic Period, 3rd millennium B.C.Sold for (Inc. bp): £520
Piriform bodied and painted with a figurative frog design; two loop handles to the equator. 4.5 kg, 37.5 cm
Ex Martin Schyoen collection, London, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Hoi An Cargo Shipwreck Glazed Polychrome Bowl
15th century A.D.Sold for (Inc. bp): £208
A polychrome bell-shaped bowl with floral motifs and tendrils to the inner and outer face. 310 grams, 14.2 cm
Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
In the mid 15th century, a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau. -
Chinese Ming Green-Glazed Musician with Drum
Ming Dynasty, 1368-1644 A.D. or laterSold for (Inc. bp): £46
Modelled standing on a tiered base; wearing a tall hat, a floor-length robe and boots; arms held in front of his body above a drum strapped to his waist; green and brown glaze. 494 grams, 24 cm
Ex H.N. collection, Milton Keynes, UK, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
China provides some of the earliest traces of music making. These are mainly in the form of well-preserved musical instruments, the tangible evidence of music. Over several millennia, musical instruments from regional indigenous traditions as well as from India and Central and West Asia were assimilated into the mainstream of Chinese music. Some of the most ancient instruments have been retained, transformed, or revived throughout the ages and many are in common use even today, testifying to a living legacy of a durable art. This legacy is frequently celebrated in the visual arts of China, documenting rituals and celebrations, or as status symbols of those whose lives were enhanced by the resonate sounds of instruments. Ancient Chinese people believed they would go to an afterlife when they died. So they placed miniature versions of things for everyday use in tombs for the deceased, such as these musicians, hoping that the dead could enjoy the next life like when they were alive. These grave objects gradually developed into funerary artworks and reflected the social standing of the deceased.
