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LOT 0521
Hellenistic Decorated Bronze Mirror
2ND CENTURY B.C.
5 7/8 in. (440 grams, 15.1 cm).
Discoid with slightly raised rim, low-relief concentric ring detailing to the reverse.
ProvenanceAcquired in the mid 1995.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. for a specific parallel Richter, M.A., The Metropolitan Museum of Art, Greek, Etruscan and Roman bronzes, New York, 1915, no.784, p.269.
FootnotesThe category of this mirror is similar to those of the Cesnola collection, from Cyprus at the Metropolitan Museum. They consist of heavy circular disks, provided with low cylindrical rims. They were made in pairs, and polished respectively on the recessed and flat sides. The unpolished sides were ornamented with concentric-circle ornaments and concentric mouldings.
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AUCTIONS:
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LOT 0521
Hellenistic Decorated Bronze Mirror
Estimate £300 - 400€350 - 460 (for guidance only)$410 - 540 (for guidance only)
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Greek Bronze Duck's Head
3rd-2nd century B.C.Estimate: £1,800 - 2,400 (‡+bp*)
Opening Bid: £810
Modelled in the round with realistic features, textured plumage, rounded beak. 236 grams, 10.1 cm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12378-226677. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Greek Attic Red-Figure Squat Lekythos Attributed to the Meidias Painter
Circa 420-400 B.C.Estimate: £2,000 - 3,000 (‡+bp*)
Opening Bid: £1,000
Comprising a bulbous body with narrow neck and handle to the rear; radiating petals on the neck with a band of volute scrolls below, the body showing a female in a dynamic pose, dressed in an elaborate long dress and holding a plate of fruit with her left hand, a seated female before her; attributed to the Meidias Painter; some restoration. 95 grams, 10.9 cm
Ex Prof. Dr Hans (1918-1984) and Dr Ines (1922-2013) Jucker, classical archaeologists, Bern, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12645-236462. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
'The Stanford Place Collection' Attic Marble Stele Anthemion Finial
4th century B.C.Sold for (Inc. bp): £31,200
Carved in the form of an elaborate palmette with stems in the form of spiral tendrils rising from acanthus leaves, a small rosette at the top between the converging fronds; holes on the reverse for attachment to shaft; mounted on a custom-made display stand. 57 kg total, 47 cm (53.5 cm including stand)
Acquired on the New York, USA, art market, 1994. with Christie's, London, The Stanford Place Collection of Antiquities, 26 April 2006, no.30. Private collection, UK. Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by copies of the relevant Christie's 'Stanford Place Collection' catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12614-235145. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
This iconography was adapted from the Egyptian and Asiatic honeysuckle, also known as lotus palmette. First depicted on Attic white-ground lekythoi; in the 5th century B.C., then as architectural decoration, carved marble examples of this type of funerary monument were erected in the 5th-4th century B.C. It was not unusual for the anthemion to be of higher quality than the figures sculpted and painted beneath it. One splendid example is the stele of Paramythion (cf. Brinkmann-Wünsche, 2004, pp.148ff.). These memorials, originally painted, were venerated by families, anointed with oil, decorated with ribbons, and graced with offerings of food.
