Loading, please wait...
Details
LOT 0404
Heavy Post Medieval Gold 'Love Is The Bond Of Pease' Posy Ring
1650-1725 A.D.
7/8 in. (7.81 grams, 22.97 mm overall, 18.75 mm internal diameter (approximate size British R, USA 8 1/2, Europe 18 3/4, Japan 18)).
Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.
Provenance
Found whilst searching with a metal detector on 28th March 2022 Mr Graham Higgins, near Hatford, Oxfordshire, UK.
Accompanied by a copy of the report for HM Coroner by the Finds Liason Officer (FLO) for the British Museum's Portable Antiquities Scheme (PAS) for Oxfordshire under Treasure reference number OXON-FC03F7.
Accompanied by a copy of the letter from HM Senior Coroner for Oxfordshire disclaiming the Crown's interest in the find.
Literature
Cf. The British Museum, museum number AF.1339, for this inscription with slight spelling variation and for a similar plain exterior; cf. Evans, J., English Posies and Posy Rings, OUP, 1931, p.73, for this inscription with slight spelling variation; cf. The Portable Antiquities Scheme Database, record id. SUSS-04EA22, for a similar style of ring also heavy at 7.43 grams.
Footnotes
In the medieval period many rings bore posy inscriptions in Latin or French, the languages frequently spoken by the affluent elites. Later, inscriptions in English became more usual, although the lack of standardisation in spelling might surprise the modern reader. The inscription is generally found on the interior of the ring, hidden to everyone except the wearer and most of the sentimental mottoes were taken from the popular literature of the time. In fact, love inscriptions often repeat each other, which suggests that goldsmiths used stock phrases. In the later 16th century, ‘posy’ specifically meant a short inscription. A posy is described in contemporary literature as a short ‘epigram’ of less than one verse. George Puttenham (1589) explained that these phrases were not only inscribed on finger rings, but also applied to arms and trenchers. The practice of giving rings engraved with mottoes at betrothals or weddings was common in England from the 16th century onwards, and continued until the late 18th century. Sources suggest that rings could be acquired ready- engraved, or alternatively engraved sometime after their initial production, by a hand other than the goldsmith’s. Joan Evans assumed that posy rings were principally used by/between lovers and distinguished four contexts for the giving of posy rings by one lover to another: betrothals, weddings, St Valentine’s Day and occasions of mourning. Samuel Pepys’ diary makes clear that posy rings might also mark the marriage of a family member, when bearers could even commission their own rings and chose their own mottoes from books. The rings could also function as tokens of friendship or loyalty.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0404
Heavy Post Medieval Gold 'Love Is The Bond Of Pease' Posy Ring
Sold for (Inc. bp): £2,860
RELATED LOTS
-
Post Medieval Glazed Ceramic Chamber Pot
Circa 18th century A.D.Sold for (Inc. bp): £13
Composed of a gently rounded body, tapering handle and discoid foot. 1.18 kg, 18 cm wide
Acquired 1990s-early 2000s. East Anglian private collection. -
Ethiopian Wooden Bifacial Icon
Late 17th century A.D.Sold for (Inc. bp): £208
One side with the Crucifixion scene, Virgin Mary and Saint John weeping at the foot of the cross, the soldier Longinus piercing the side of Jesus; the other side with a diptych painted on paper representing a crowned Saint George (Bet Gorgis) and his servant Seqrates dressed like a priest, watching the miracle of the transformation of water into wine; lines of Ge'ez text in black ink on the reverse; wooden frame with closure on both sides, surmounted by a small cross. 455 grams, 25.7 cm
The timber shows some old insect flight holes and we are advised that this piece has been recently treated with Permthrin, as a precaution.
Ex Cy Lester, an antiquarian bookseller, London, UK, circa 1990. Ex central London gallery.
Among the imagery of Ethiopian equestrian saints, three main representational categories can be distinguished: 1) simple portrait of the saint armed with spear or lance and holding the reins of a horse; 2) the saint spearing an enemy; 3) the saint according to one of the aforementioned types placed in a narrative scene. -
Post Medieval Iron Bull Nose Tether
18th-19th century A.D. or earlierEstimate: £150 - 200 (+bp*)
Opening Bid: £75
Formed as a circular spring and two expanding arms developing to a penannular clamp with bulb finials; sliding retainer clip. 325 grams, 21 cm
From a Home Counties collection, 1970-1980.