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LOT 0404
Heavy Post Medieval Gold 'Love Is The Bond Of Pease' Posy Ring
1650-1725 A.D.
7/8 in. (7.81 grams, 22.97 mm overall, 18.75 mm internal diameter (approximate size British R, USA 8 1/2, Europe 18 3/4, Japan 18)).
Composed of a gently carinated hoop, the interior inscribed in cursive script 'Love is the bond of pease'.
ProvenanceFound whilst searching with a metal detector on 28th March 2022 Mr Graham Higgins, near Hatford, Oxfordshire, UK.
Accompanied by a copy of the report for HM Coroner by the Finds Liason Officer (FLO) for the British Museum's Portable Antiquities Scheme (PAS) for Oxfordshire under Treasure reference number OXON-FC03F7.
Accompanied by a copy of the letter from HM Senior Coroner for Oxfordshire disclaiming the Crown's interest in the find.
Cf. The British Museum, museum number AF.1339, for this inscription with slight spelling variation and for a similar plain exterior; cf. Evans, J., English Posies and Posy Rings, OUP, 1931, p.73, for this inscription with slight spelling variation; cf. The Portable Antiquities Scheme Database, record id. SUSS-04EA22, for a similar style of ring also heavy at 7.43 grams.
FootnotesIn the medieval period many rings bore posy inscriptions in Latin or French, the languages frequently spoken by the affluent elites. Later, inscriptions in English became more usual, although the lack of standardisation in spelling might surprise the modern reader. The inscription is generally found on the interior of the ring, hidden to everyone except the wearer and most of the sentimental mottoes were taken from the popular literature of the time. In fact, love inscriptions often repeat each other, which suggests that goldsmiths used stock phrases. In the later 16th century, ‘posy’ specifically meant a short inscription. A posy is described in contemporary literature as a short ‘epigram’ of less than one verse. George Puttenham (1589) explained that these phrases were not only inscribed on finger rings, but also applied to arms and trenchers. The practice of giving rings engraved with mottoes at betrothals or weddings was common in England from the 16th century onwards, and continued until the late 18th century. Sources suggest that rings could be acquired ready- engraved, or alternatively engraved sometime after their initial production, by a hand other than the goldsmith’s. Joan Evans assumed that posy rings were principally used by/between lovers and distinguished four contexts for the giving of posy rings by one lover to another: betrothals, weddings, St Valentine’s Day and occasions of mourning. Samuel Pepys’ diary makes clear that posy rings might also mark the marriage of a family member, when bearers could even commission their own rings and chose their own mottoes from books. The rings could also function as tokens of friendship or loyalty.
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AUCTIONS:
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LOT 0404
Heavy Post Medieval Gold 'Love Is The Bond Of Pease' Posy Ring
Sold for (Inc. bp): £2,860
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Post Medieval Delft Tin-Glazed Ceramic Plate
17th century A.D.Sold for (Inc. bp): £39
Displaying a figure crossing a bridge within a cartouche, embellished with flowering foliage; repaired. 417 grams, 22.2 cm wide
Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister. -
Marble Head of a Roman Emperor
20th century A.D.Estimate: £3,500 - 4,500 (+bp*)
Opening Bid: £1,944
Carved as a mature male with stern features, likely the emperor Carus, shown with short, neatly-dressed hair and beard; mounted on a custom-made display stand. 10.4 kg, 38 cm high including stand
French collection, 1960s-early 2000s. From an important Paris gallery, France. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11694-199338.
Carus reigned 282-283 A.D. He served as a prefect of the guard to emperor Probus, whom he succeeded. Whilst leading a campaign against the Sassanians, Carus died suddenly and under mysterious circumstances, leading to the belief that he was struck by lightning. Little is known of his life, owing to the relative instability of that time period. Whether he had Probus murdered, or whether he was killed by mutinous troops was disputed even by his contemporaries. Carus was succeeded by his sons Carinus and Numerian, although their reigns were short-lived and his dynasty was soon supplanted. Carinus’ lasting legacy was principally the suppression of the authority of the senate. He has gone down in history as one of the tyrants of ancient Rome. -
Roman Style Bone Cameo of Silenus
20th century A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Of oval form, a mature Silenus shown nude in high-relief kneeling right on one leg, cloak thrown over one shoulder, playing two pipes, suspension loop to top edge. 19.8 grams, 56 mm high
London art market, 1990.