Group of Four [4] Sasanian Kingdom AR Drachms.

Laureate and draped bust of Rabbel II to right; 'Rabbel, king of the Nabataeans. Year 3' in Aramaic around / Veiled and draped bust of Shaqilat to right; 'Shaqilat, his mother, queen of the Nabataeans' in Aramaic around. CN 218; Meshorer, Nabataea, 144. 3.34gr, 13mm, 12h.

Very Fine. Obverse struck off-centre.

From the collection of a gentleman, acquired on the London art market in the 1990s.

Basket (cista mystica), with half-open lid, from which snake coils, around, ivy wreath with fruits / Two snakes coiled around a bow case ornamented with aplustre, and containing a strung bow, between the snake heads, A above monogram of ΠΛ, civic monogram of ΠΕΡ to left, serpent-entwined staff to right. Kleiner, Hoard 6; Pinder 100. 12.64gr, 26mm, 12h.

Very Fine. Very rare.

Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

Head of Athena to right, wearing crested Attic helmet with raised cheek pieces; behind neck, ΤΗ above ΙΠ (engravers' initials) in small lettering / Φ-Α-Ρ-Σ clockwise around Thessalian cavalryman riding horse prancing to right, wearing petasos, chlamys and chiton, and holding lagobolon over his right shoulder; in exergue, Τ (engraver's initial). Lavva 86 (O43/R51); BCD Thessaly I 1284 var. (TH in exergue); BCD Thessaly II 639 var. (no ΙΠ); HGC 4, 624. 5.95gr, 18mm, 9h.

Good Extremely Fine. Tiny cut on reverse. Attractive toning with golden iridescence around the devices. Sharply struck and surprisingly detailed.

From a Swiss collection, acquired prior to 2005. Ex Nomos AG, Auction 21, 21 November 2020, lot 145 (company's ticket included).

If the harmony and the aristocratic inner peace of the portraits are the first thing that catches our attention, it is the extremely detailed rendering of the figures, especially on the reverse, that makes the viewer cling more to their admiration for this coin. Each depiction of Athena’s head in these emissions of Pharsalos makes us believe that she has her own character and that no two are the same, even though they share the same characteristics. Athena in our coin looks like a tender girl with a serious but innocent look in her eyes. Her divine power, despite her young age, is not violent; it is simply inherent in the serenity of her gaze. On the other hand, the detailed rendering of the cavalryman’s and horse's face, the texture of his chlamys, the harmonious matching of muscles and joints in the horse's body, and even the pronounced veins in the horse's belly convince us of a talented engraver and a gifted artist.