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LOT 0060
Greek Terracotta White-Ground Painted Lekythos Attributed to the Athena Painter
CIRCA 510-500 B.C.
10 3/8 in. (459 grams, 26.4 cm).
Cylindrical with stepped foot, five palmettes above the shoulder, dynamic frieze of two men visiting two hetairai, each of the figures dressed in long pleated garments, at the centre of the scene, a hetaira on the right reaching towards the bearded male and gently touching his chin with her open hand, a tall draped table behind her with an amphora underneath and a standing bird on the top.
ProvenanceH.A.C. (Herbert A. Cahn), 19 October 1979.
Private collection, Bern, Switzerland.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12644-236376.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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LOT 0060
Greek Terracotta White-Ground Painted Lekythos Attributed to the Athena Painter
Estimate £6,000 - 8,000€6,960 - 9,280 (for guidance only)$8,100 - 10,800 (for guidance only)
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Large Eastern Hellenistic Gold Earring Pair with Garnets
3rd-1st century B.C.Estimate: £4,000 - 6,000 (+bp*)
Opening Bid: £2,000
Each a hollow-formed crescent with applied filigree borders, band of hollow-formed knops to the outer edge and piriform panel at each end with granulated border and inset garnet cabochon; below, a banded agate sphere with framing dentilled granulated collars, cluster of hollow bulbs with flanking cabochon garnets. 34.2 grams total, 56-60 mm
Property of a London, UK, gentleman, pre-1990. Ex London, UK, gallery. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11185-186691. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The boat-shaped central body is typical of old style Greek earrings connected with clusters of globe and is visible in the early Hellenistic jewellery from Taranto (Williams & Ogden, 1994, p.213), but the abundant use of filigree fits with examples from the Eastern Mediterranean area (Williams & Ogden, 1994, p.243). -
Greek Bronze Geometric Brooch
8th-7th century B.C.Sold for (Inc. bp): £234
With hollow-formed ornamental bulb to the bow, study curved pin, flange finial forming the catch. 31 grams, 10.3 cm
Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003 to present. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Greek Lucanian Red-Figure Bell-Krater with Nude Dancing Satyr
Circa 380-370 B.C.Sold for (Inc. bp): £8,190
Decorated with a meander with saltire squares below the figural scenes, and a laurel below the rim; Side A: a nude gesticulating satyr with short curly hair and long beard, running to the right with his left leg raised and his arms outstretched, characteristic pointed ears and pug nose, towards a maenad moving right and looking back at him, her hair short and curly, her body draped in a chiton, with another maenad standing behind him, facing left, draped in a himation over a chiton; Side B: three youths in draped cloaks with hoods thrown back; professionally restored. 2.1 kg, 29 cm wide
Fine condition, professionally restored.
Belgian private collection, 1950s. with Christie's, New York, 4 June 2008, no.190. Private central European collection. Accompanied by a copy of the relevant Christie's catalogue pages. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12067-218141. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The style allows us to attribute this vase to an unknown artist of Lucanian origin: it is in ancient Lucania (a region which is located between present-day Calabria and Basilicata, in Southern Italy and between the Tyrrhenian Sea and the Ionian Sea, with Metaponto as a well-known city) that the first Italic style of red-figure painting developed.