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LOT 0529
Greek Terracotta Amphora Handle Fragment with Stamp by Manufacturer Satyros for the Magistrate Thrasonos
CIRCA 3RD-2ND CENTURY B.C.
3 1/8 in. (130 grams, 80 mm).
With rectangular stamp possibly bearing the names 'ΣΑΤΥΡΟ (SATYROS) Θ[ράσωνος] (Thrasonos)', and short handled trident to left. [No Reserve]
ProvenanceAcquired 1960s-1990s.
From the late Alison Barker collection, a retired London barrister.
Cf. similar example in Metropolitan Museum, accession no. 74.51.2424, with the name of other manufacturer; cf. Grace, V., ‘Stamped Amphora handles found in 1931-1932’ in Hesperia, 3, 1934, pp.197-310, for hundreds of similar examples.
FootnotesThe legend of the stamp usually comprises three elements, in full or abbreviated form: a) the name of a magistrate whose purpose was to date the amphora. In our case possibly Θράσωνος b) the name of the “fabricant” (manufacturer), who played a part in the production of the amphora (here SATYROS), c) ethnic element indicating the production’s place (maybe, here, associated with the the Θ of Θράσωνος, Knidos).
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LOT 0529
Greek Terracotta Amphora Handle Fragment with Stamp by Manufacturer Satyros for the Magistrate Thrasonos
Sold for (Inc. bp): £72
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Circa 1st millennium B.C.Sold for (Inc. bp): £85
Mixed group including fragments of carinated cups, a painted bowl, and other types. 1.06 kg total, 5.8-15 cm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. -
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British private collection, acquired by 2000. From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
In the Dictean Cave in Greece, many votive statuettes of this type were found. The flounced skirt is characteristic of Minoan women's dress, and it was lavishly decorated in folds of different colours. It could be worn with or without a narrow corselet, but in both cases exposing the breast. The exposed breast was connected to the cult of the mother goddess, and fertility, an element here reinforced by the presence of the suckling child. -
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From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.