Greek Stone Head of a Caryatid

Comprising a carved garnet model bird with applied old wings decorated with beaded wire and granules, gold loop above and stud beneath. 2.77 grams, 15 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman.

Modelled in the round as a figure of a lar standing with the left hand raised with palm facing forwards, right arm extending forwards and holding a patera in the hand; wearing a close-fitting short-sleeved tunic with a folded and draped mantle above; the face with aquiline nose, lentoid eyes and a small pursed mouth and with a loose-fitting cap retaining the hair; mounted on a custom-made display stand. 295 grams total, 13.3 cm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The gesture is typical for making sacrifice. The curved hem of the garment, which originally could be seen both behind and in front of the left leg, shows that this is a tebenna, a typical Etruscan male dress, distinguished by its semi-circular shape from the rectangular Greek himation.

With spherical body, conical neck and pinched trefoil mouth, gusseted strap handle; concentric painted circles to each lateral face and to the neck, fish motif beneath the spout and trefoil beneath the handle; repaired. 495 grams, 21.2 cm high



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

In the Bichrome Ware, at the early Iron Age of Cyprus, patches of lines of reddish-brown paint were added to the black, on the pale background. Two styles of painting are prevalent: the rectilinear and the circle. The rectilinear style was more diffused in the eastern and southern regions of Cyprus, the circle one is found mainly in the western and northern areas.