Greek Net-Painted Black-Figure Lekythos

With inverted echinus lip and tall neck, a ribbed handle to each side with coiling lotus buds and palmettes beneath the handles; Side a) a running winged Gorgon depicted frontally, dressed in a black and red chiton; Side b) an aristocratic warrior wearing a Chalcidian helmet and driving a quadriga, the two central horses superimposed, the other two turned outward; a frieze of lotus buds and a band Greek key motifs below, the neck decorated with red and black palmettes, and elongated lotus blossoms; restored. 3.25 kg, 39 cm high



Acquired in Geneva in 1954. Formerly in the Y. Forrer collection, Geneva, Switzerland. Private collection, Switzerland, 1999. with Gorny & Mosch, Munich, 20 June 2012, no.73. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.11798-206784.

This wonderful vase can be attributed to the Swing Painter, active in Athens during the last part of the 6th century B.C. Beazley named him after the subject of a girl on a swing that he painted more than once. He was a pot painter, perhaps a pupil of the Princeton Painter. His black-figure paintings included a range of mythological subjects and some quite unusual images. A very large number of vases have been attributed to his hand on the basis of style. Characteristic of his paintings are contemporary touches, such as the presence of hoplites, in mythological scenes (München, Staatliche Antikensammlungen 1385 [J 729], Beazley Archive Pottery Database 301590; Poseidon fighting the giant Polybotes, Louvre F226). An important artwork is the famous representation of the Tyrant Pysistratos and his Rabdophoroi (bodyguards armed with clubs, Athens National Archaeological Museum 15111, Beazley Archive Pottery Database 301523).

With dragged trails to the body and applied annular rim. 12 grams, 44 mm



Collected from 1969-1999. From the collection of the late Mr S.M., London, UK.

Modelled in the round as a miniature flat-bottomed boat with sternpost and three thwarts, one supporting the reclining figure of the boatman; supplied with a custom-made display stand. 728 grams total, 24.5 cm wide including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by an old identification tag. Accompanied by an original thermoluminescence analysis report from Oxford Authentication.

A series of ship models, today preserved in the Metropolitan Museum and in the British Museum, depict in considerable detail the features of contemporary vessels, including the helmsman sitting in the bow, the spurs of the ships and the raised stern. All of the preserved ship models come from Amathus, indicating the importance of the site as a maritime centre. Our model could come from the same area. This clay model shows a man who comfortably sits on the back of the ship: we do not know his role and his activity, but – as observed by professor M.A. Mcintosh, he is part of a theōriā, a state pilgrim (theōros). Certainly, he represents the helmsman, the kubernētēs, i.e. the governor who directs the ship.