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Details
LOT 0547
Greek High-Glazed Cup with Handles
5TH-3RD CENTURY B.C.
5 in. (96 grams, 12.8 cm wide).
The body with an inverted bell shape, foot with channeled sidewall, two loop handles with carinated upper faces; repaired.
Provenance
Acquired in Europe before 2001.
European collection.
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LOT 0547
Greek High-Glazed Cup with Handles
Estimate £800 - 1,000€930 - 1,160 (for guidance only)$1,080 - 1,350 (for guidance only)
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Attic Red-Figure Bell Krater with Drunken Male Revellers Attributed to the Kadmos Painter
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Thomas Hope (1769-1831), London and the Deepdene, Surrey, Thence by descent to Lord Henry Francis Hope Pelham-Clinton-Hope (1866-1941), the Deepdene. The Celebrated Collection of Greek, Roman and Egyptian Sculpture and Ancient Vases being a portion of The Hope Heirlooms; Christie's, London, 23-24 July 1917, no.113. Private collection, acquired in Paris, 2004. Accompanied by a copy of a thermoluminescence analysis report no.N111j79 from Oxford Authentication. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11786-206517.
The Kadmos Painter was an Athenian red-figure vase painter, whose real name is unknown. His nickname was bestowed by Beazley, naming him after the subject of a famous hydria in Berlin (Antikensammlungen Berlin/Altes Museum, found in Vulci). He illustrated many mythological scenes, sometimes with figures arranged up and down the field, usually on bell craters, vessels used in symposia for mixing wine and water. A komos was a ritualistic drunken procession performed by revellers in ancient Greece. It preceded and/or followed the banquet, whether unbridled in nature with music and games, or serious and philosophical.