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LOT 0612
Greek Gold Ring with Rosette and Filigree
5TH-4TH CENTURY B.C.
1 in. (6.37 grams, 25.62 mm overall, 22.66 mm internal diameter (approximate size British R 1/2, USA 8 3/4, Europe 19.38, Japan 18)).
With granule to each shoulder, discoid bezel with beaded wire rim, ropework band and central cinquefoil motif.
ProvenanceAcquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12388-226931.
Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 66.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Greek Terracotta Figure Group
3rd-1st century B.C.Sold for (Inc. bp): £312
Each moulded with plain reverse, some facial and body detailing to obverse with flared foot. 200 grams total, 10.4-11.1 cm
Acquired in the 1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. -
Greek Apulian Xenon Stemless Kylix Attributed to the Red Swan Group
South Italic, circa 4th century B.C.Sold for (Inc. bp): £715
Shallow with arched loop handles below the rim, low stepped foot; tondo with painted wreath of laurel leaves surrounding a standing swan in profile; to the outer face two horizontal sprigs of laurel leaves. 159 grams, 19.6 cm
Ex David Miller, Hemel Hempstead, London, UK. From the private collection of a West London, UK, gentleman, formed since the early 2000s. -
Hellenistic Iridescent Pale Aqua Glass Bowl
Mid 2nd-early 1st century B.C.Estimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
Conical in profile, aqua glass with three incised bands below the rim on the inner face. 374 grams, 15.7 cm wide
Dr Jutaro Kawabe, Nagoya, Japan, his collection formed in the 1960s-1970s. with Hoshigaoka Gallery until the late 1990s. Private collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12949-245243.
On ancient glass, iridescence is the soft play of colour that develops as the surface ages and becomes silica-rich. Minute layers form over time and break light into shifting blues, greens and golds. It is not a modern finish but something time has drawn out of the material itself, so the pattern and palette are unique to each piece. Collectors prize good, stable iridescence because it lifts the form: ribs read more crisply, profiles glow, and simple vessels take on depth and movement. Museums now tend to preserve these surfaces rather than polish them away, recognising both their beauty and what they tell us about an object’s long life (though it is not, by itself, a dating test). For display, iridescent glass performs brilliantly under gentle, directional light, where the colours “turn” as the vessel is moved. Well-preserved, even iridescence of this quality is not common and adds materially to the presence—and desirability—of the piece.
