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LOT 0086
Greek Chalcidian Black-Figure Amphora with Heracles and Nemean Lion
CIRCA 650-575 B.C.
17 1/8 in. (3.1 kg, 43.5 cm).
With two figural scenes: Side A: the first of the canonical labours of Heracles, the fight against the Nemean lion - in the centre the hero standing over the lion, strangling it with his left arm while thrusting his sword into its neck; two other standing figures witness the fight - on the right Athena, fully armed and ready to defend Heracles with her lance, and to the left Hermes, recognisable by his hat (petasos), winged boots and the caduceus; Side B: a nude horseman, holding his lance and accompanied by his dog, walking towards a king seated on his throne, holding a sceptre in his left hand; on the far right, a standing woman, probably the king's wife; a sphinx under the throne and two flying birds; some restoration.
ProvenanceEx German private collection.
with Hampel Kunst Auction, Munich, 2012, no.867.
Private European collection, thence by family descent.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12069-218134.
Cf. Boardman, J., Early Greek Vase Painting, London, 1998, p.219ff., ill.483-484, p.245 for a comparison; see neck amphora with Heracles killing the Nemean Lion, in the Harvard University, inventory no.1960.312, in Robinson, D. M., ‘Unpublished Greek Vases in the Robinson Collection,’ in American Journal of Archaeology (1956), 60.1, 1-25, p.7-9, no. 8, pl.5; cf. a similar terracotta neck-amphora (jar) attributed to the Polyphemos Group in the Metropolitan Museum, accession no.46.11.5.
FootnotesThe shape is typical of the period, and is decorated with black-figured technique, in which the figures were silhouetted in black slip on a reddish clay ground, and linear elements were incised with a needle, with additional details painted with white and cherry red-slip. The amphora seems to belong to one of the sub-types of the ‘Pseudo-Chalcidian’ group (the Poliphemus group), derived from the main Chalcidian series
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LOT 0086
Greek Chalcidian Black-Figure Amphora with Heracles and Nemean Lion
Sold for (Inc. bp): £45,500
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Etrusco-Corinthian Bowl with Painted Ducks
575-550 B.C.Sold for (Inc. bp): £845
Squat skyphos on a low, pared conical base; two small horizontal handles round in section, short flaring everted rim; painted in dark brown with decoration limited to two window-like areas between the handles; on either side of the bowl two large ducks moving to the right with incision and overpaint clarifying the mass of the bodies, wings indicated with two quick horizontal strokes and a row of pendant arcs or scallops with dots of red and white overpaint for a rich, feathered effect; rosettes filling the space around the ducks. 257 grams, 18 cm wide
In the collection of Mr Ulfert Wilke, founding Director of the University of Iowa Museum of Art. Acquired from Ulfert Wilke on 29 May 1968. From the collection of Dr Howard Sirak, Columbus, Ohio, USA. Ex I.M. Chait Gallery, Los Angeles, USA, 14 December 2020, lot 212. Property of a South Australian private collector, with collection reference 20.34. Accompanied by detailed collector's catalogue pages including description and photograph.
The catalogue cites this piece as no. 3.10 from the Wilke Collection and the original sticker is on the base. The catalogue was for the exhibition at the University of Iowa Museum of Art from 17 March to 30 April 1971. -
Cypriot Poppy Head Flask
Circa 1450-1200 B.C.Sold for (Inc. bp): £182
With broad shoulder and tapering stem, flared neck, collars at the junction with the strap handle. 53 grams, 11 cm high
From the collection of a late East Anglian teacher and antiquarian who retired to the Isle of Wight in Hampshire, UK. He amassed a large collection of objects between the 1960s-1980s. -
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Monumental Greek Apulian Red-Figure Calyx-Krater
Late 4th century B.C.Estimate: £18,000 - 24,000 (‡+bp*)
Opening Bid: £10,000
With elegant fluted body, drum foot and elaborate up-swung handles, displaying polychrome panels on both sides, between a laurel wreath below the rim and a band of Greek meander motif; Side A: the hero Bellerophon riding Pegasus, wearing a Thessalian hat (petasos), depicted nude except for a cloak fastened at the centre of the neck by a round clasp, the hero towering above the other two mythological characters beneath him: Princess Filinoe, on the left, crowned and dressed in a long chiton, and King Iobates of Lycia, dressed in Persian fashion with a long sleeved red tunic worn under a long dress, the field with a representation of an altar, two palm branches over a volute krater, a shield, a javelin, a lotus flower, and above the hero a hanging shield and two clamydes; Side B: figure of a young beardless man, wrapped in a large cloak and holding a staff, with windows and floral scrolls on the background. 7.6 kg, 56 cm high
Acquired in the mid 1980s-1990s. From the family collection of Mr S.A., Switzerland, thence by descent. Private collection since the late 1990s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12068-218200.
The decoration is very different on the two sides: on the main one, the painter has created a large mythological scene as if it was a summary. The scene comprising the famous hero Bellerophon riding Pegasus, the winged horse, flying above Iobates and his daughter (who will become the hero's wife). The king sent Bellerophon to perform impossible mission, among which the best known is the fight against the Chimera (monster with the body of a lion and a goat, with a snake's tail and two heads, one of a lion and the other of a goat).
