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LOT 0644
Greek Canosan Terracotta Oinochoe with Face
CIRCA 4TH CENTURY B.C.
8 5/8 in. (446 grams, 22.2 cm high).
The body formed as a female bust with elaborately styled hair; discoid foot, tall stem with pinched rim giving a broad pouring lip, strap handle to the rear; some pigment remaining.
ProvenanceOld French private collection.
Swiss private collection, Basel-Landschaft.
Private collection of M. Tritten, Binningen, Switzerland.
Property of an East Sussex, UK, gentleman.
Cf. Frel, J., Knudsen Morgan, S., Occasional Papers on Antiquities, 3, Greek Vases in the J. Paul Getty Museum, Malibu, volume 2, 1985, figs.5-7, for similar.
FootnotesThe Canosan ceramic workshops produced several series of head vases, starting with a red-figure imitation of the Attic plastic oenochoe attributed by Beazley to Group N.21. The next product combined two ceramic techniques: a) the neck, mouth, and handle were executed in red-figure technique with superimposed white rays on the neck; b) the head was drawn from two moulds, mounted on a base rim, and decorated with white slip and polychrome after firing. It belongs to the initial phase of the polychrome ceramic production of Canosa, for which only this type of mould is known. It also illustrates the close collaboration which existed between potters and coroplasts. The same archetype was used in the next phase, producing entirely polychrome head vases, like this one, in which traces of polychrome are still visible on the mouth and near the left ear.
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LOT 0644
Greek Canosan Terracotta Oinochoe with Face
Estimate £800 - 1,000€930 - 1,160 (for guidance only)$1,080 - 1,350 (for guidance only)
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Hellenistic Painted Terracotta Figure of Aphrodite
Mid 4th-mid 3rd century B.C.Estimate: £3,000 - 4,000 (‡+bp*)
Opening Bid: £1,111
Bearing the weight of her body on her left leg, wearing a himation draped over her left and right arms, the right arm bent to grasp a part of the himation that falls behind her, leaving her shoulders uncovered and revealing her naked body; the head turned slightly to the left; the hair arranged in the typical flattering melon coiffure, parted into six large sections and gathered into a low bun; oval face with a small, fleshy mouth and a fine nose; wearing large circular earrings; her right hand resting on top of a small pillar, covered by the cloak; the lower part of the himation embroidered with volutes; the back flat with a square hole for attachment; red-brown pigment on the hair, white coating, traces of pink on the himation and red on the edges of the feet. 493 grams, 22.5 cm high
Collected in the 1950s-1990s. Ex R. Liechti collection (1934-2010), acquired in Geneva. Accompanied by an academic report by Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11999-211931.
In particular in South Italy, two types of female statuettes leaning on small pillars were widespread, derived from Tanagra prototypes: the first type dressed in a high-belted chiton with crowned head, the second consisting of partially draped or nude female figures identified as Aphrodite, like our specimen. The Tanagra production ended in about 200 B.C., but the models created by the Boeotian workshops would continue to be produced until the end of the 1st century B.C. The statuette shows extensive traces of the original polychromy, characterised by strongly contrasting hues in keeping with the local style. The Tanagrine elements are mainly identifiable in the ‘melon coiffure’, the intense red colour of the hair and the pose characterised by the turned hip. -
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Greek Apulian High-Glazed Fluted Cup
4th century B.C.Estimate: £2,000 - 3,000 (‡+bp*)
Opening Bid: £1,000
Raised fluting decorating the body, broad c-section neck and everted rim, segmented openwork handle. 174 grams, 90 mm high
Acquired in the 1960s-1970s. Ex European private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11856-206542. -
Greek Apulian Black-Glazed Mug
Circa 4th-3rd century B.C.Estimate: £250 - 350 (+bp*)
Opening Bid: £125
With a high-gloss black slip, ovoid body and a short wide neck with a flaring rim, a wide strap handle and a flat base. 144 grams, 95 mm wide
Ex P. A., Hertfordshire, UK, specialist collection of Greek art, 1980-1990s.
The black glaze technique uses the same glaze used by the Greeks on the red-figure and black-figure ceramics, but covering the entire piece, without figurative decoration. It was a transparent raw glaze, which took on its characteristic intense, glossy black tone after firing.
