Greek Bronze Patrix Die

Comprising a round pedestal supporting four small offering pots, interspersed with four female face protomes; looped handle to the centre with parallel strokes in low-relief. 623 grams, 16 cm high



From the West German collection of H.W. Acquired from the De Mynter, Belgium, in 2011. with Gorny and Mosch, Munich, 3 June 2017, no.52. Private Portuguese R.M. collection. Accompanied by a previous catalogue information slip.

The kernos can be recognised by a series of small cups on the lip, with examples dating back to the Bronze Age. It was used to store offerings made to the gods, specifically in cults pertaining to Demeter and Persephone. The receptacles probably contained foodstuffs, or perhaps flowers, and a lamp was sometimes placed in the centre. Kernoses, such as this, were often carried in processions at the Eleusinian Mysteries (secret initiation rites celebrating the goddesses Demeter and Persephone) and were an important object for Greek religious life. Kernoses are thus closely related to the agrarian cult and to the myth of Persephone and Demeter, the goddess of fertility and agriculture. The myth is recounted on an Homeric Hymn (c. 650 B.C.) according to which Persephone, Demeter’s daughter, was seized by Hades, the king of the underworld, who brought her to his kingdom to make her his wife. Distraught, Demeter caused a terrible drought, which continued until Persephone returned to her mother from the underworld. Having consumed pomegranate seeds whilst she was in the Underworld, she was only able to be with her for a few months of the year.

Mixed group of vessels including biconvex bowl, drum-shaped jar and other types, some with painted ornament. 2.3 kg total, 7.4-20 cm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

With an arching strap handle and a wide spout; either side of the body painted with a crouching panther, one playing with a ball and the other depicted facing; repaired. 149 grams, 12 cm

Fine condition, some surface rubbing on the black glaze, with metallic gloss, some calcareous deposits on underside of lip and vase, glaze slightly chipped in a few places, repaired.

Acquired from Gallery Gryphos, Munich, 1992. European private collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12001-211879.

Painted askoi in different forms have been produced and been in use in Athens since the middle and second quarter of the 5th century B.C., but they were also made in southern Italy. The askoi painted with a pair of animal figures were realised in Magna Graecia after the Attic continental production of similar models, with the representation of griffins, sphinxes and laconic hounds. The function of the askos as a vessel was clearly linked to wine, and therefore it is not anomalous to see it decorated with panther motifs, an animal connected with Dionysus, the god of wine and drinking.