Greek Bronze Male Figural Attachment

Comprising a bulbous body and slender tapering neck with strap handle to the rear, trumpet-shaped mouth; hatched bands and lozenges to the body and shoulder, multilinear rings to the neck; old collector's inked no. '15.78' to underside. 254 grams, 15.1 cm



Red-ink inscription '15.78' to the base suggesting it may have been deaccessioned from The Metropolitan Museum of Art. From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Comprising a round pedestal supporting four small offering pots, interspersed with four female face protomes; looped handle to the centre with parallel strokes in low-relief. 623 grams, 16 cm high



From the West German collection of H.W. Acquired from the De Mynter, Belgium, in 2011. with Gorny and Mosch, Munich, 3 June 2017, no.52. Private Portuguese R.M. collection. Accompanied by a previous catalogue information slip.

The kernos can be recognised by a series of small cups on the lip, with examples dating back to the Bronze Age. It was used to store offerings made to the gods, specifically in cults pertaining to Demeter and Persephone. The receptacles probably contained foodstuffs, or perhaps flowers, and a lamp was sometimes placed in the centre. Kernoses, such as this, were often carried in processions at the Eleusinian Mysteries (secret initiation rites celebrating the goddesses Demeter and Persephone) and were an important object for Greek religious life. Kernoses are thus closely related to the agrarian cult and to the myth of Persephone and Demeter, the goddess of fertility and agriculture. The myth is recounted in an Homeric Hymn (c. 650 B.C.) according to which Persephone, Demeter’s daughter, was seized by Hades, the king of the underworld, who brought her to his kingdom to make her his wife. Distraught, Demeter caused a terrible drought, which continued until Persephone returned to her mother from the underworld. Having consumed pomegranate seeds whilst she was in the Underworld, she was only able to be with her for a few months of the year.

With ribbed stem tapering to a low wide bowl; four loop handles on outside of bowl connecting outer lip of inverted rim to bowl; inside with nine wide equidistant grooves to centre of grooved circle at base of bowl; some restoration. 755 grams, 22.5 cm



From the George R. Francoeur Trust, Bloomfield Hills, Michigan, with collection inventory no.319; acquired in 1982. Ex Hindman Auctions, Chicago, USA, sale, lot 72. Property of a South Australian private collector, with collection reference 20.09. Accompanied by detailed collector's catalogue pages including description and photograph. Accompanied by a Francoeur Trust inventory card with inventory number 82.319), along with collection label 319 to its base. George R. Francoeur (1934-2019) received his Master’s Degree of Fine Arts from the University of Michigan and was a dedicated arts teacher for many years at Cranbrook Academy of Arts. His collection of ancient art was offered at auction by Hindman Auctions, with the proceeds benefiting the George R. Francoeur Scholarship Fund at Cranbrook Academy of Art.

Impasto and bucchero also share techniques that were used to form and decorate the vessels. Bucchero chalices with distinctive fluted walls were popular products during the first half of the 6th century B.C. at a number of Etruscan sites. It is likely that the inspiration for fluted chalices came from metalwork. Undecorated examples have been found at Poggio Buco.