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LOT 0570
Greek Bronze Male Figural Attachment
3RD-2ND CENTURY B.C.
3 3/8 in. (121 grams total, 86 mm including stand).
Head and torso of a young male with emphasised pectoral muscles and bowl-cut hairstyle; tapering body; attachment loop to rear and socket to the neck; mounted on a custom-made display stand. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Cf. Rolland, H., Bronzes Antiques de Haute Provence, Paris, 1965, item 385, for similar truncated figure and hairstyle.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Villanovan Impasto Oinochoe with Graffiti
Circa 8th century B.C.Sold for (Inc. bp): £624
Three-lobed mouth with elongated beak, truncated-conical neck, shoulder with a convex profile, biconical body, low and flat foot, double rod handle set on the mouth and shoulder; small hole below equator. 592 grams, 21 cm high
Showplace Auction Centre, auction 308, lot 174. Property of a South Australian private collector, with collection reference 23.09. Accompanied by detailed collector's catalogue pages including description and photograph.
There is a similar vessel in Collection CA p18 n17 without decoration. The form is the same (height 25cm). Different varieties of it are known depending on the high or short neck, the flattened or globular or ovoid body, the flat or ring-shaped or splayed foot, the ribbon-like handle or the single or multiple rod. The known specimens come from different localities: Narce, Faleri, Bisenzio, Vetulonia, Tarquinia, Volsiniese countryside, upper Fiora valley. For parallel with ribs, see Antikenmuseum Basel + Sammlung Ludwig, p. 19, E 9, Schnabelkanne aus Impasto, first half seventh century, height 22.6cm. The shape of this handmade pot is particularly bold and simple. The few attached ribs, the bar handles brought together at the top, the high neck and the steep, cloverleaf-shaped mouth form ascending lines, but at the same time contribute to the balance of the shape due to their curve. These pots have primarily been found in Bisenzio, where they were probably made. -
Etruscan Bronze Statuette with Offering
4th-3rd century B.C.Sold for (Inc. bp): £845
Modelled in the round as a figure of a lar standing with the left hand raised with palm facing forwards, right arm extending forwards and holding a patera in the hand; wearing a close-fitting short-sleeved tunic with a folded and draped mantle above; the face with aquiline nose, lentoid eyes and a small pursed mouth and with a loose-fitting cap retaining the hair; mounted on a custom-made display stand. 295 grams total, 13.3 cm including stand
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
The gesture is typical for making sacrifice. The curved hem of the garment, which originally could be seen both behind and in front of the left leg, shows that this is a tebenna, a typical Etruscan male dress, distinguished by its semi-circular shape from the rectangular Greek himation. -
Etruscan Globular Pendant with Birds' Heads
Circa 8th-7th century B.C.Sold for (Inc. bp): £104
Comprising a spherical body with biconvex collar, lateral arms ending in stylised bird-heads, pierced lobe above; mounted on a custom-made display stand. 113 grams total, 69 mm including stand
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
These globular pendants surmounted by two opposed birds heads belong to the early Iron Age phase of the Etruscan-Villanovan culture. The heads are those of aquatic birds, whose motif is often repeated on the embossed belt-cuirasses decorating the waists of high-status men and women.