Greek Bronze Male Figural Attachment

Burnished impasto amphora with lateral strap handles, everted rim, impressed dimples and other decoration to the broad shoulder; with some repairs. 948 grams, 17 cm high



Ex Galerie am Museum Jürgen Haering, Freiburg, Germany. From the collection of Dr Werner Cordes, Hagen, Germany, 1988. with Hammer Auktionen, Basel, Switzerland, sale 54, lot 121. Property of a South Australian private collector, with collection reference 21.25. Accompanied by detailed collector's catalogue pages including description and photograph.

Broad dished bowl with carinated profile, flat rim with slashed detailing, band of reserved advancing lions and swans; central panel roughened for grinding. 3.3 kg, 33.5 cm wide



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by a thermoluminescence analysis report no.N124d55 from Oxford Authentication.

With a flared and carinated foot, meander patterns around the lower body, band of rosettes encircling the neck, gusseted handles with masks to the outer faces opening to two columnar legs, broad shoulder with loops flanking the handles; red-figure scenes to the neck and body: Side a: above, a quadriga with Nike at the reins, wings spread; below, naiskos with flanking columns, hero standing beside his horse, resting on his spear, wearing a muscled armour, surrounded by seated and reclining females and youths in various poses, one of the youths holding the hero's pointed boots in his hand; Side b: above, a palmette, below column with decorative ribbons flanked by two seated males and two females offering votive gifts; some restoration. 13.85 kg, 78.5 cm high



Private collection, Neuchâtel, Switzerland. Ex collection H.& P. Payot, Clarens, by descent. Accompanied an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12066-218199.

Monumental kraters such as this one are typical of the Apulian red-figure production that developed between circa 440 and 300 B.C. in the region of the Greek colonies of Taranto and Metaponto in Southern Italy, where they were used as tomb markers in cemeteries. Here the painter focuses on the celebration of the hero-warrior, surrounded by young women and men, the image of the victorious leader is emphasised by the full panoply and iconography of Nike.