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LOT 0622
Greek Bronze Bow Brooch
4TH-2ND CENTURY B.C.
1 5/8 in. (12.9 grams, 42 mm).
Comprising a tapering bow with median cluster of two bulbs, one arm extending to a single-loop spring and pin, the other widening to a coil and flat catch with curved edge and lateral spur above. [No Reserve]
ProvenanceFrom the estate of a West Sussex, UK, archaeology collector.
From the property of a late Lincolnshire, UK, gentleman.
Cf. Hattatt, R., Iron Age and Roman Brooches, Oxford, 1985, item 712, for type.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Mixed Ancient Bead Collection
1st millennium B.C. and laterSold for (Inc. bp): £143
Including tubular, oblate, melon, biconical, polyhedral and other types in glass and other materials. 122 grams total, 1-20 mm
London, UK, collection, 2000s. -
Hellenistic Iridescent Pale Aqua Glass Bowl
Mid 2nd-early 1st century B.C.Estimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
Conical in profile, aqua glass with three incised bands below the rim on the inner face. 374 grams, 15.7 cm wide
Dr Jutaro Kawabe, Nagoya, Japan, his collection formed in the 1960s-1970s. with Hoshigaoka Gallery until the late 1990s. Private collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12949-245243.
On ancient glass, iridescence is the soft play of colour that develops as the surface ages and becomes silica-rich. Minute layers form over time and break light into shifting blues, greens and golds. It is not a modern finish but something time has drawn out of the material itself, so the pattern and palette are unique to each piece. Collectors prize good, stable iridescence because it lifts the form: ribs read more crisply, profiles glow, and simple vessels take on depth and movement. Museums now tend to preserve these surfaces rather than polish them away, recognising both their beauty and what they tell us about an object’s long life (though it is not, by itself, a dating test). For display, iridescent glass performs brilliantly under gentle, directional light, where the colours “turn” as the vessel is moved. Well-preserved, even iridescence of this quality is not common and adds materially to the presence—and desirability—of the piece. -
Large Lydian Silver Bar Bracelet
7th-6th century B.C.Sold for (Inc. bp): £442
Comprising a round-section penannular body with clubbed finials, a free-running repoussé collar and a flat-section coiled band on the body. 235 grams, 11.4 cm
Ex Paul Munro-Walker, Bournemouth, Hampshire, UK, 1980s. From a UK collection since before 1990.
