Greek and Other Pottery Sherd Group

White ware globular jug with pinched trefoil mouth and strap handle to the rear; painted 'eye' detailing to mouth, serpent pattern to handle with curled finial, pairs of gammadion motifs to the body, 285 grams, 14.5 cm high



Peter Cran collection, Scotland, who worked as an engineer for the Cypriot public works department 1931-1946; thence by descent. Acquired from Bonhams, London, 23 May 2012, no.6 (part). From an important Cambridgeshire estate; thence by descent. Accompanied by copies of the relevant Bonhams catalogue pages and original lot tag.

Modelled in the round with soft youthful features, short beard, small mouth and large lentoid eyes, tousled hair with a diadem above the brow; socket to the top of the head and remains of a spur to the reverse; mounted on a custom-made display stand. 3.86 kg total, 26.5 cm high including stand



Joseph Klein collection, formed in New York 1941-1980, thence by descent. Acquired from Bonhams, London, 24 October 2012, no.2. From an important Cambridgeshire estate; thence by descent. Accompanied by a copy of the relevant Bonhams catalogue pages. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12002-212101.

Votive sculptures were the commonest form of Cypriot sculptures of the period. They were erected within the precincts of temples or covered sanctuaries, around the altar at which the god was worshipped. Thus, on Cyprus, the statuary was conceived as an ex-voto, an image expressing the desire of the believer to enter into intimate communion with and reside under the eternal protection of the gods.

Bearing the weight of her body on her left leg, wearing a himation draped over her left and right arms, the right arm bent to grasp a part of the himation that falls behind her, leaving her shoulders uncovered and revealing her naked body; the head turned slightly to the left; the hair arranged in the typical flattering melon coiffure, parted into six large sections and gathered into a low bun; oval face with a small, fleshy mouth and a fine nose; wearing large circular earrings; her right hand resting on top of a small pillar, covered by the cloak; the lower part of the himation embroidered with volutes; the back flat with a square hole for attachment; red-brown pigment on the hair, white coating, traces of pink on the himation and red on the edges of the feet. 493 grams, 22.5 cm high



Collected in the 1950s-1990s. Ex R. Liechti collection (1934-2010), acquired in Geneva. Accompanied by an academic report by Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11999-211931.

In particular in South Italy, two types of female statuettes leaning on small pillars were widespread, derived from Tanagra prototypes: the first type dressed in a high-belted chiton with crowned head, the second consisting of partially draped or nude female figures identified as Aphrodite, like our specimen. The Tanagra production ended in about 200 B.C., but the models created by the Boeotian workshops would continue to be produced until the end of the 1st century B.C. The statuette shows extensive traces of the original polychromy, characterised by strongly contrasting hues in keeping with the local style. The Tanagrine elements are mainly identifiable in the ‘melon coiffure’, the intense red colour of the hair and the pose characterised by the turned hip.