LOT 2926
Gordian III BI Tetradrachm of Antioch, Seleucis and Pieria. AD 238-244.
Struck AD 242. ΑΥΤΟΚ Κ Μ ΑΝΤ ΓΟΡΔΙΑΝΟC CЄΒ, laureate, draped, and cuirassed bust to right, seen from rear / ΔΗΜΑΡΧ ЄΞ ΥΠΑ ΤΟ Β, eagle standing facing, head and tail to left, with wings displayed, holding wreath in beak; below, crescent above ram leaping to left, head to right. RPC VII.2 3513; Prieur 295; McAlee 872. Near Extremely Fine.(13.92gr, 25mm, 11h.).
ProvenanceProperty of a North London, UK, gentleman.
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LOT 2926
Gordian III BI Tetradrachm of Antioch, Seleucis and Pieria.
Sold for (Inc. bp): £59
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Judaea, Herodians. Agrippa II, with Titus AE 8 Units. Circa 50-100 CE.
Sold for (Inc. bp): £104
Caesarea Panias mint. Dated RY 26 of the first era of Agrippa II (74/5 CE). AYTOKP TITOC KAICAP CEBAC, laureate head to right / ETO Kς (date) BA AΓΡΙ-ΠΠA, Nike advancing to right, holding palm frond and wreath; crescent above. RPC II, 2277; Meshorer 160c; Hendin 6314b; Sofaer 229. 13.29gr, 24mm, 12h.
Near Very Fine.
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. -
Caracalla AE 24mm of Heliopolis, Seleucis and Pieria. AD 198-217.
Sold for (Inc. bp): £20
Struck AD 202. [ANT]ONINO AVGVS[TO], laureate head to right / COL HEL, turreted, veiled, and draped bust of Tyche to left; palm frond and cornucopia to right. Sawaya 270-279 (D51/R–; unrecorded rev. die); BMC 12; SNG Copenhagen 431. 8.64gr, 24mm, 12h.
Very Fine. Green and brown patina; cleaning and smoothing marks.
From the collection of a gentleman, acquired on the London art market in the 1990s. -
Gallienus AE 28mm of Seleucia ad Calycadnum, Cilicia. AD 253-268.
Estimate: £40 - 60 (‡+bp*)
Opening Bid: £18
ΑV Κ Π ΛΚ ΓΑΛΛΙΗΝ-ΟϹ, laureate, draped and cuirassed bust to right / ϹЄΛЄVΚЄΩ ΚΑ- around, ΛV[...]-ΔΝ in field to left, Athena standing to right, holding shield and striking with spear at serpent-legged giant, who hurls stone. RPC X Online Unassigned ID 60515. 9.54gr, 28mm, 6h.
Good Very Fine. Double struck of reverse.
Private collection, acquired 1980–1985.
The reverse type features Athena fighting the giant named Enceladus during the Gigantomachy, the war between the Giants and the gods. This scene appeared in art as early as the sixth century BC on an Attic black-figure pot, and is referenced in Euripides' Ion. Ancient poets located the burial spot of Enceladus under Mount Etna in Sicily, and the volcano's eruptions were said to be the breath of the giant, and the tremors caused by him rolling over under the mountain. (Virgil, Aeneid 3.570-587)
