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LOT 0566
Gold Pendant Bead Group
1ST MILLENNIUM B.C.
5/8 - 2 in. (5.74 grams total, 17-52 mm).
Comprising two Hellenistic or Mesopotamian ribbed tubular beads and a larger bead with hatched sides, ribbed bulb to each end. [3]
ProvenanceFrom a late Japanese specialist collector, 1970-2000s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Phoenician Grey Stone Statue Head
Circa 8th-6th century B.C.Sold for (Inc. bp): £286
Carved head from a statue of a kouros with banded hair, large lentoid eyes, soft facial features; mounted on a custom-made stand. 340 grams total, 14 cm high including stand
Ex Sotheby's circa 2005. From an important Cambridgeshire estate; thence by descent. -
Hellenistic Terracotta Goddess Figure
Circa 2nd century B.C.-1st century A.D.Sold for (Inc. bp): £85
Modelled in the half-round on a tongue-shaped plaque, with right hand in the folds of the robe and left hand holding the hem; mounted on a custom-made stand. 155 grams total, 13.7 cm including stand
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. -
Greek Canosan Terracotta Oinochoe with Face
Circa 4th century B.C.Estimate: £800 - 1,000 (+bp*)
Opening Bid: £425
The body formed as a female bust with elaborately styled hair; discoid foot, tall stem with pinched rim giving a broad pouring lip, strap handle to the rear; some pigment remaining. 446 grams, 22.2 cm high
Old French private collection. Swiss private collection, Basel-Landschaft. Private collection of M. Tritten, Binningen, Switzerland. Property of an East Sussex, UK, gentleman.
The Canosan ceramic workshops produced several series of head vases, starting with a red-figure imitation of the Attic plastic oenochoe attributed by Beazley to Group N.21. The next product combined two ceramic techniques: a) the neck, mouth, and handle were executed in red-figure technique with superimposed white rays on the neck; b) the head was drawn from two moulds, mounted on a base rim, and decorated with white slip and polychrome after firing. It belongs to the initial phase of the polychrome ceramic production of Canosa, for which only this type of mould is known. It also illustrates the close collaboration which existed between potters and coroplasts. The same archetype was used in the next phase, producing entirely polychrome head vases, like this one, in which traces of polychrome are still visible on the mouth and near the left ear.
