Gold and Iron 'I Gave Gold for Iron' World War I Ring

Discoid with intaglio motifs, two figures on a baseline. one with a cornucopia and the other with a wreath; supplied with a museum-quality impression. 0.55 grams, 12 mm



Private collection, England.

Rectangular plaque with enamel cloisonné scene of Mary and Joseph during the flight in Egypt; left, the door of the inn open with Saint Aphrodisius emerging, head bowed; centre Jacob, stepbrother of Jesus, advancing with rod and flag over his shoulder, holding the reins of the donkey; right Mary perched on the donkey's back and St Joseph supporting infant Christ. 337 grams, 183 mm



From an old French collection. Acquired on the French art market circa 2000. From the personal collection of Derek Rogers, Suffolk, UK.

The plaque shows a version of the 'flight into Egypt' that became popular in Holland in the 16th century, it shows Saint Aphrodisius (venerated by the French as the first bishop of Beziers) welcoming the Holy family to his house, in the background is the palm tree that is said to have bent to shelter the mother and baby from the sun; as shown on this plaque, earlier iconography shows Joseph sometimes carrying the child on his shoulders while the donkey is led by an older boy who may represent the Lord's brother Jacob, who according the tradition of the Orthodox Church is interpreted to be one of the Joseph's sons by a previous marriage.

By William Smith and Charles Eaton; obverse: head with radiate crown; reverse: crowned figure with dagger and chalice. 112 grams, 10.7 cm



From the collection of the famous author, writer and speaker, Gordon Bailey, Essex, UK; formed since 1968.

"Billy and Charlies", also known as the Shadwell forgeries, refer to a very extensive series of fake antiquities made in Victorian London by William Smith (Billy) and Charles Eaton (Charley). They were mudlarks who searched the Thames for items of value. William Edwards, a London antique dealer, made Billy's acquaintance around about 1845, and he met Charley some years later. He paid them for items of interest that they found. Billy and Charley earned money from this until 1857, when they decided to counterfeit antiquities. They cast objects from lead or pewter, cutting dies into plaster of Paris moulds with nails and knives, and bathing the finished items in acid to simulate aging. Their commonest products were medallions, but others included daggers, statuettes, ampullae and even small shrines; as they were both illiterate the inscriptions on many of the objects are nonsense. They sold their forgeries to very prominent collectors of the time who thought they were genuine. Eventually, due to the large volume of objects that were appearing on the market, they were arrested and tried at court though they could not be found guilty of any crime at the time. They were released and carried on producing fakes but their style of manufacture had become well known and they eventually disappeared from history.