Glass Fragment with Applied Decoration

Carved portable icon with integral loop, frontal and rear recesses each with a door hinged with thread; painted scenes within of the Crucifixion and the meeting of Saint Abune Tekle Haimanot and Gabra Manfas Keddus (?), St. George attacking a dragon, Mary and Infant Jesus with angels Gabriel and Michael. 91 grams, 10 cm high



Reece Gallery, c. 2010. Ex central London gallery.

A series of icons representing the Virgin of Santa Maria Maggiore were produced in Ethiopia in the 16th and 17th centuries; the icon offered here is one such example. Sitting on the left arm of his mother, Christ gives a blessing with his right hand and holds a book in his left hand, both details showing a close relationship with the Santa Maria Maggiore version.

Painted on a wooden board with mounting slots and panels to the reverse, gessoed surface with painting of the Virgin of Kazan, head of Mary with gilded nimbus and russet-coloured veil, standing infant Jesus similarly nimbate with right hand raised in the pax gesture; gilt monograms to the upper corners and title to the lower left corner. 968 grams, 31 cm high

Fine condition.

Ex property of a London lady, part of her family's collection.

The original icon, also known as the Theotokos of Kazan, is thought to have originated in Constantinople in the 13th century before it was taken to Russia. When the Turks took over Kazan in 1438, the icon was most probably hidden to keep it safe. Ivan the Terrible liberated Kazan in 1552, and the town was destroyed by fire in 1579, after which the icon was found and brought to the Church of Saint Nicholas. It was subsequently stolen in 1904 and never found again, though there are many copies in existence.

Hinged with mounting spike, balustered shank with gusseted collar and zoomorphic finial. 588 grams, 31 cm



Probably acquired Mallams, Abingdon, UK. Property of a Kent collector.