Georgian Gemstone with Portrait of a Philosopher

Each hollow-formed and piriform in plan with high-relief mask, foliage and other detailing. 908 grams total, 11.5-22.5 cm



Acquired on the UK art market. Private collection, London, UK.

Depicting the Saviour on the cross, the titulum inscribed in Cyrillic ‘Jesus of Nazareth, King of the Jews’; long inscriptions in Old Church Slavonic and traditional elements of the ‘Stavrosis’ surrounding the cross: sponge on reed, spear and a skull set on stones marking the site as Golgotha, twisted cords or wire, and the walls of Jerusalem; on the upper part of the cross, angels with cloth-covered hands and over them a frontal view of the torso of God with his arms raised above clouds; inscribed prayers in Old Church Slavonic and file marks on the back of the casting. 65.4 grams, 11.1 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

Orthodox travel icons were used by the faithful to carry a sacred representation with them during their journeys, offering protection and a constant spiritual connection. The icon features meticulous craftsmanship with intricate details of the Passion and Death of the Saviour, according to the Byzantine iconography.

Finely wrought oval mirror case featuring a vivid polychrome enamel scene on a black ground, enclosed within a gilt-copper frame; the front adorned with a depiction of Mercury, identifiable by his winged helmet and caduceus, standing beneath a classical arch flanked by stylised columns and vases of flowers; above the entablature, a canopy held aloft by two snails, while twin pouring ewers crown the upper corners, issuing stylised streams; the architectural and ornamental elements highlighted with translucent and opaque enamel, highlighted with gilding and intricate punchwork; the frame with a guilloche border, surmounted by a pierced rocaille loop with a scallop motif, and terminating below in a turned pendant finial; the sides of the frame engraved with a delicate foliate frieze, the reverse flat-chased with three vases of stylised flowers issuing from scrolled supports, framed above by draped swags, butterflies, and a winged cherubic mask; the case hinges open at the top, the interior, originally fitted with mirrored glass, now partially oxidised but retaining areas of reflection. 168 grams, 14.4 cm



Private collection, France. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12998-246011.

The enamel composition is directly derived from a print by Étienne Delaune (1518/19-1583), from his series Grotesques à Fond Noir, Dieux et Déesses, created in France c.1550–1572 prior to his departure for Strasbourg. Delaune’s engravings were a principal source for Limoges enamellers of the late 16th and early 17th centuries, particularly in the production of oval mirror plaques for personal toilette or cabinet display.