LOT 3185
Galerius BI Nummus. AD 305-311.
Heraclea mint; struck AD 308-309. 1st officina. IMP C GAL VAL MAXIMIANVS P F AVG, laureate head to right / GENIO IMPERATORIS, Genius, wearing modius on head, standing to left, holding cornucopia and patera; •HTA• in exergue. RIC VI 37a. Near Very Fine.(6.71gr, 26mm, 6h.).
ProvenanceAcquired on the UK market before 2000.
Property of a London, UK, gentleman.
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AUCTIONS:
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Romano-British Imitation of Constantius II BI Centenionalis. AD 337-361.
Sold for (Inc. bp): £33
Following uncertain mint. D N CONSTANTIVS P F AVG, pearl-diademed, draped and cuirassed bust to right / FEL TEMP REPARATIO, soldier standing to left, spearing fallen horseman, D in left field; uncertain mintmark in exergue. SCBC 750; see also Carson and J.P.C. Kent, 'A Hoard of Roman Fourth-Century Bronze Coins from Heslington, Yorkshire' in NC Vol. 11 (1971), p. 217 (Arles). 2.57gr, 16mm, 12h.
Good Very Fine.
Found Yorkshire, UK. From the private collection of Robin Sykes, Yorkshire, UK, formed since the late 1990s.
During the 4th century, the urban life in Britain was in serious decline and the supplies of currency from the Empire temporarily disrupted, so the local imitations of Constantius II and the usurper Magnentius became necessary to cover the deficit. -
Aureolus, Romano-Gallic Usurper BI Antoninianus. AD 268-269.
Sold for (Inc. bp): £52
Mediolanum mint; struck AD 268. In the name and types of Postumus. IMP C POSTVMVS P F AVG, radiate, draped and cuirassed bust to right / SALV[S AVG], Aesculapius standing facing, head to left, leaning on serpent-entwined staff; P in exergue. RIC V.2 382. 1.81gr, 19mm, 11h.
Good Very Fine.
Property of a North London, UK, gentleman. -
Roman Imperial, Terracotta Forger's Casting Mould. 4th century AD.
Sold for (Inc. bp): £59
Laureate head (Constantine I?) to right / D N VAL LICIN LICINIVS NOB C, laureate, draped and cuirassed bust of Licinius II to right. 4.65gr, 27mm, 9h.
Condition as seen. Casting mould sharing two obverse types.
From the collection of a gentleman, acquired on the London art market in the 1990s.
With an impression of the obverse on one side, and the reverse on the other, of the coin being counterfeited this ancient forger's casting mould would have been stacked with others, the molten metal being poured from above and allowed to cool.
