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LOT 1937
Framed Watercolour Painting
PERSIA, 20TH CENTURY A.D.
15 1/4 x 10 in. (782 grams, 38.6 x 25.5 cm).
With two lines of a poem, permitting a view into a grand architectural setting, populated by falconers, musicians, attendants and others entertaining a prince seated beneath a pagoda, hilly landscape beyond the walls, broad stylised floral border to three sides, Indian workmanship; mounted in a reveal and a glazed wooden frame. [No Reserve]
ProvenanceAcquired on the UK art market, 1980s-1990s.
The Woodbridge collection of Indo-Persian art.
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AUCTIONS:
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Jacobean Iron Nutcrackers
17th century A.D.Sold for (Inc. bp): £26
Two hinged arms with caliper handles, the cracking plates with triangular 'knurling'. 62 grams, 10.5 cm
From the estate of Dr J Bynon, UK. Ex Den of Antiquity, Cambridgeshire, UK. Accompanied by a dealer's catalogue information card. -
Stone Ram's Head Dagger Handle with Rubies
20th century A.D.Sold for (Inc. bp): £247
An ornate carved hilt with ram's head finial, the collar, lower guard and eyes with rubies and other inserts. 249 grams, 13.6 cm
Property of a South West London gentleman. -
Ethiopian Diptych with Passion and Resurrection of Christ
18th century A.D.Sold for (Inc. bp): £1,690
Comprising two recessed panels, the left hand panel showing biblical scenes divided into two panels: in the upper panel the deposition of Christ in the tomb and the Resurrection of God, holding a flag in his left hand and grasping the hand of Adam with the right; in the lower panel the flagellation of Christ and the road to the Calvary; Ge'ez inscriptions on the field; the right hand panel showing the Crucifixion, Ge'ez inscriptions on the field. 946 grams total, 32.5 x 21.5 - 33 x 21.5 cm
Ex Alistair McAlpine collection, 2004. Ex central London gallery.
The icon shows Western influence on Ethiopian art. The Crucifixion image contains many elements of this iconography which are found in many Oriental and Western art of the Middle Ages, but with significant changes from the previous representations: Jesus is nailed with three nails and not four, the head leaning towards his right shoulder and the hair falling on his shoulders. Following the Western influence, Christ is represented in a spasm of physical pain, and consequently a more detailed anatomy of his chest and abdomen is depicted. This concept of the Crucifixion, common in the Italian Late Middle Age and Renaissance art, found its way to Ethiopia at some time towards the end of the 15th century, or at the beginning of the 16th century. As in the majority of the Resurrection icons of this period, Christ is dressed in a long robe with a cloak or toga draped over one shoulder.
