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LOT 1937
Framed Watercolour Painting
PERSIA, 20TH CENTURY A.D.
15 1/4 x 10 in. (782 grams, 38.6 x 25.5 cm).
With two lines of a poem, permitting a view into a grand architectural setting, populated by falconers, musicians, attendants and others entertaining a prince seated beneath a pagoda, hilly landscape beyond the walls, broad stylised floral border to three sides, Indian workmanship; mounted in a reveal and a glazed wooden frame. [No Reserve]
ProvenanceAcquired on the UK art market, 1980s-1990s.
The Woodbridge collection of Indo-Persian art.
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AUCTIONS:
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Composite Stone Erotic Statuette by Jef Lambeaux
20th century A.D.Sold for (Inc. bp): £312
Erotic miniature of two women, with signature to base 'J M Lambeaux' and inset stamp to underside 'St Petersburg, 1882'. 421 grams, 10.9 cm
Ex M.T. collection, London, UK. -
Roman Style Marble Torso with Lionskin
19th century A.D. or earlierEstimate: £400 - 600 (+bp*)
Opening Bid: £222
Modelled as a muscular nude torso with lionskin draped over the left shoulder. 508 grams, 14 cm
Acquired in the 1980s. From an interesting European collection of marbles. Property of a European gentleman.
Probably intended to depict Hercules, who customarily wore a lionskin. -
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Gold Engraved Touchpiece
17th century A.D. or earlierSold for (Inc. bp): £156
Barrel-shaped with two impressed flat faces, one with a later engraving of a guilloche border and looped tendrils framing reserved initials 'PO P[R]' above and lower 'NU [.]M'; possibly a touchpiece or love token. 5.53 grams, 17 mm
Acquired since the 1970s. From the private collection of a Surrey, UK, gentleman. Accompanied by a copy of the article 'A Roman or Anglo-Saxon Fertility Amulet?' published in Treasure Hunting Magazine.
The design is reserved and very faint; the outer guilloche is quite convincing but the details of the design are hard to determine, and may always have been quite indistinct. The impression is of a 17th century love token with the initials of the couple. The finder's article implies an Anglo-Saxon date, probably on the strength of the guilloche which was often use on early Saxon metalwork - but it is a long-lived motif and not specific to that one period.
