Loading, please wait...
LOT 1804
Framed Watercolour Painting with Male Figures Engaged in Conversation
PERSIA, 20TH CENTURY A.D.
14 1/2 x 10 1/2 in. (689 grams, 37 x 26.5 cm).
With extensive use of liquid gold; polychrome painted scene of three male figures within a building engaged in conversation; three passers-by outside with faces raised to another figure on the roof; panels of calligraphic nastaliq text above and below; mounted in a glazed wooden frame. [No Reserve]
ProvenanceAcquired on the UK art market, 1980s-1990s.
The Woodbridge collection of Indo-Persian art.
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 1804
Framed Watercolour Painting with Male Figures Engaged in Conversation
Sold for (Inc. bp): £13
-
Bronze Astrolabe
20th century A.D.Sold for (Inc. bp): £169
Composed of three circular quadrants, the body surmounted with an openwork panel incised with a floral motif and set with small blue glass cabochons; suspension loop. 1.25 kg, 24 cm
UK gallery, early 2000s. -
Ethiopian Diptych with Passion and Resurrection of Christ
18th century A.D.Sold for (Inc. bp): £1,690
Comprising two recessed panels, the left hand panel showing biblical scenes divided into two panels: in the upper panel the deposition of Christ in the tomb and the Resurrection of God, holding a flag in his left hand and grasping the hand of Adam with the right; in the lower panel the flagellation of Christ and the road to the Calvary; Ge'ez inscriptions on the field; the right hand panel showing the Crucifixion, Ge'ez inscriptions on the field. 946 grams total, 32.5 x 21.5 - 33 x 21.5 cm
Ex Alistair McAlpine collection, 2004. Ex central London gallery.
The icon shows Western influence on Ethiopian art. The Crucifixion image contains many elements of this iconography which are found in many Oriental and Western art of the Middle Ages, but with significant changes from the previous representations: Jesus is nailed with three nails and not four, the head leaning towards his right shoulder and the hair falling on his shoulders. Following the Western influence, Christ is represented in a spasm of physical pain, and consequently a more detailed anatomy of his chest and abdomen is depicted. This concept of the Crucifixion, common in the Italian Late Middle Age and Renaissance art, found its way to Ethiopia at some time towards the end of the 15th century, or at the beginning of the 16th century. As in the majority of the Resurrection icons of this period, Christ is dressed in a long robe with a cloak or toga draped over one shoulder. -
Framed Watercolour Painting
India, 20th century A.D.Sold for (Inc. bp): £52
Showing a convivial courtyard scene composed of a man and three women sharing drink and food, flowering plants in the foreground, moonlit treescape beyond; mounted in a reveal and a glazed wooden frame. 683 grams, 34.6 x 25 cm
Fine condition.
Acquired on the UK art market, 1980s-1990s. The Woodbridge collection of Indo-Persian art.
