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LOT 2085
Framed Watercolour Painting of a Nobleman's Residence
PERSIA, 20TH CENTURY A.D.
18 5/8 x 12 3/4 in. (1.16 kg, 47.5 x 32.3 cm).
With two servants bringing lidded chafing dishes of food to the crouching male wearing a helmet and cuirass with a shield at his feet; below, an attendant in helmet and riding coat holds the reins of the horse; panels of nastaliq text above and below; mounted in a glazed wooden frame. [No Reserve]
ProvenanceAcquired on the UK art market, 1980s-1990s.
The Woodbridge collection of Indo-Persian art.
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AUCTIONS:
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Charles I Period Bronze Goat Retainer's Badge
Mid 17th century A.D.Sold for (Inc. bp): £52
Modelled in the half-round with hollowed reverse, goat passant on a wreath. 17.5 grams, 38 mm
Ex Yorkshire, UK, collection, 1990s. -
Charles I City of London Lead Seal
1625-1631 A.D.Sold for (Inc. bp): £111
Two-part, four-lobed seal with strap and tag above; obverse with heater shield bearing the arms of the City of London with legend to beaded border 'DE * LO[.]DI ONO' (from London); reverse with angel holding an orb with legend 'GLORIA * IN * EXCELSIS' (glory in the highest); accompanied by a letter from the British Museum, with attachments. 37.5 grams, 57 mm
From the collection of the famous author, writer and speaker, Gordon Bailey, Essex, UK; formed since 1968. Accompanied by the original Museum of London letter by Geoff Egan dated 3rd January 1979.
The item was identified by Geoff Egan (then on secondment from the Museum of London to the British Museum) in 1979 as a four-lobed cloth seal, of a type which had recently been found from a shipwreck off the coast of Norway. The likelihood is that the seal was issued by or in connection with Blackwell Hall, which had a near-monopoly on the cloth trade in 17th c. London. The significance of the angel motif and the motto were not known to Egan, and are still debated. -
Post Medieval Walnut Relief Panel Depicting The Victory of Maximilian I and Henry VIII Over the French at The Battle of The Spurs
German or Austrian, 19th century A.D. or earlierSold for (Inc. bp): £6,240
A substantial carved wooden panel with figures in low-relief, representing knights of second half of 16th century A.D. engaged in a deadly battle; the armoured knights depicted facing each other, with the lance couché, trampling over the dead and wounded, while on the background the clash among the infantrymen of the opposed armies can be seen; after the work of Albrecht Dürer and Alexander Colyn, with old typed labels translating to: 'Alexander Colins. Flemish sculptor, born 1526 in Mechelen, died 1617 in Innsbruck. Created important works of art from around 1550 onwards. His sculptures include those at the Heidelberg Castle, the tomb of Emperor Maximilian I in the Court Church in Innsbruck and other important grave monuments.' 2.7 kg, 45 cm wide
Private collection, New York, USA. Ex central London gallery. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12180-221703.
The second battle of Guinegate, or Battle of the Spurs, was an episode of the early 16th century wars (August, 16th 1513), when Henry VIII and the Holy Roman Emperor Maximilian I surprised and routed a body of French knights under Jacques de la Palice. The Flemish artist represented the victory as one of the main scenes for the imperial grave of Emperor Maximilian I, the sketches for which were made by the well known German sculptor, painter and architect Albrecht Dürer.