European Articulated Gauntlet Pair

Comprising a cross-shaped hand guard, the blade with a slight curvature widening towards the point; mounted on a custom-made wall mount. 1.35 kg total, 95 cm including stand

Still-homogenous blade structure, pitting and traces of surface material losses due to the permanence in water; presence of many battle nicks on the cutting part of the blade.

Private collection, Munich, Germany, 1970s. Private collection, London, UK, 2014, acquired from the above.

The Turkish sabres from 15th century, had hilts similar to Omayyad and Abbasid's swords. The blades were long and heavy and were most probably used for swinging cuts, and were particularly convenient for point-thrusts when fighting on foot.

Comprising three caltrops, hand-forged with square-section in the form of four welded arrowheads. 34 grams total, 50 mm each



Acquired on the German art market around 2000. From the collection of Surrey, UK, gentleman.

Caltrops were a kind of 'landmine' of the ancient world an mentioned in the Classical period. Nevertheless, they turned into real military weapons only in Dark Ages. Their systematic and wide use by the Eastern Romans, who called it tribolos, is noticeable. In 1082, Emperor Alexios Komnenos used caltrops against the Norman cavalry in the Balkans. Anna Komnena tells us in detail of her father’s intentions: ‘He marched against Bohemond with a new idea for victory. He had iron caltrops made and since he expected the battle to take place on the next day, the evening before scattered them over the plain between the two armies at the point where he guessed that the Kelts (the Normans) would make a heavy cavalry attack. The plan was to frustrate the first and irresistible charge when the caltrops pierced the horses’ hooves.’ Unfortunately for the Romans the Normans avoided battle on the ‘minefield’, outflanked the enemy and gained victory.

With lateral seams, attachment holes to lower edge, bowl with tall conical peak; mounted on a custom-made stand. 3.5 kg total, 55.5 cm high including stand



Acquired on the UK art market. From a private collection, 1980s. Ex central London gallery. The Kusmirek Collection, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11765-203977.

From the reign of King Tiglatpilesar III (744-727 B.C.) or possibly later. The army of the Neo-Assyrian Empire consisted of large units of cavalry and skilled archers. Mobile workshops and smiths produced vast quantities of arrows and spears that were required while on campaign. The royal palaces of Nineveh, Ashur, and Nimrud were adorned with reliefs depicting Neo-Assyrian troops including foot soldiers in similar pointed bronze helmets. The helmet was originally bimetallic, made of bronze and iron. Although the iron section is now preserved only in fragments, having deteriorated long ago; the bronze half remains.