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LOT 0073
Etrusco-Corinthian Ring Askos
CIRCA 575 B.C.
6 1/2 in. (349 grams, 16.5 cm).
With strap handle positioned over the central hole; black-figure decoration with fired umber (reddish-brown) consisting of a broad band heightened with crimson and white round the upper part of the wall, and a wavy band on the reversed area below; broad band of black (fired umber) inside the ring and around the neck below the spout; groups of transverse lines with faded petals around the top, horizontal lines across the handle; intact.
ProvenanceAcquired from Charles Ede Gallery, London, in 1982.
Prominent Palm Springs, California, USA, collection.
with Artemis Gallery, Colorado, USA, 14 July 2012, lot 30 (US$2,500-3,000).
Property of a South Australian private collector, with collection reference 14.08.
Accompanied by detailed collector's catalogue pages including description and photograph.
Charles Ede Gallery Etruscan Pottery Catalogue VI in 1982, item 22.
LiteratureSee Reusser, C., Etruskische Kunst: Antikenmuseum Basel und Sammlung Ludwig, p. 24.
FootnotesEtrusco-Corinthian pottery is a local imitation of Corinthian pottery, made from the late seventh to the mid-sixth century B.C., with production concentrated on the southern Etruscan cities of Caere, Veii and Vulci. The forms predominately employed include various forms of jug (olpai, oinochoe) and unguent containers (aryballoi and alabastra) as well as amphorae and craters. The askos is the name given in modern parlance to a type of Greek pottery vessel used to pour small quantities of liquids such as oil. It is recognisable from its flat shape and a spout at one or both ends that could also be used as a handle; they were usually painted decoratively like vases and were mainly used for storing oil and refilling oil lamps. They were extensively traded in and around the Mediterranean, and local types emerge in Italy from the early Iron Age in Italy (cf. CVA Taranto – Museo Nazionale I, pl. 1.1 (Inv. 2400) – refer photo at 14.08 – 3); also CVA British Museum 7, pl. 4.4). The original meaning of ἀσκός is “wineskin” which can be seen in the shapes of early askoi.
This askos has unique painted decoration for which a parallel has not been found to date. For an earlier variant of this type, see CVA Tarquinia – Museo Archeologico Nazionale III, pl. 27.7-8 (Inv. RC. 1892). Described as 'Italo- Geometric' and dated to third quarter of the seventh century; askos is 10.2cm high, 11.5cm diameter; dark brown paint. Neck is longer than on Inv.14.08, and different decorations, but otherwise an early parallel (refer photos at 14.08 – 4 & 5). Another variant of this type can be seen in CVA Museo Civico d’Archeologia Ligure di Genova, I, pl. 1.2-3 (Inv. 1101). Described as Italo-Corinthian but undated, askos is 11.0cm high 11.5cm diameter; neck is longer than on Inv.14.06, with handle not curving, and different decorations (see photos 14.08 – 6; 7). The groups of horizontal line decoration can be seen on earlier types, cf. late eighth to early seventh century footed cup in the Museo Archeologico della Maremma (CVA Grosetto Museo Archeologico I, pl. 26.3 (Inv. 24294)). See askos at the Museo Nazionale di Villa Giulia from the Polledrara necropolis at Vulci, dated to 625–600BC (refer photo at 14.08 – 8).
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LOT 0073
Etrusco-Corinthian Ring Askos
Estimate £1,000 - 1,400€1,160 - 1,620 (for guidance only)$1,350 - 1,890 (for guidance only)
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Villanovan Impasto Amphora with Anthropomorphic Decoration
Early 7th century B.C.Sold for (Inc. bp): £780
Burnished impasto amphora with lateral strap handles, everted rim, impressed dimples and other decoration to the broad shoulder; with some repairs. 948 grams, 17 cm high
Ex Galerie am Museum Jürgen Haering, Freiburg, Germany. From the collection of Dr Werner Cordes, Hagen, Germany, 1988. with Hammer Auktionen, Basel, Switzerland, sale 54, lot 121. Property of a South Australian private collector, with collection reference 21.25. Accompanied by detailed collector's catalogue pages including description and photograph. -
Villanovan Impasto Oinochoe with Graffiti
Circa 8th century B.C.Sold for (Inc. bp): £624
Three-lobed mouth with elongated beak, truncated-conical neck, shoulder with a convex profile, biconical body, low and flat foot, double rod handle set on the mouth and shoulder; small hole below equator. 592 grams, 21 cm high
Showplace Auction Centre, auction 308, lot 174. Property of a South Australian private collector, with collection reference 23.09. Accompanied by detailed collector's catalogue pages including description and photograph.
There is a similar vessel in Collection CA p18 n17 without decoration. The form is the same (height 25cm). Different varieties of it are known depending on the high or short neck, the flattened or globular or ovoid body, the flat or ring-shaped or splayed foot, the ribbon-like handle or the single or multiple rod. The known specimens come from different localities: Narce, Faleri, Bisenzio, Vetulonia, Tarquinia, Volsiniese countryside, upper Fiora valley. For parallel with ribs, see Antikenmuseum Basel + Sammlung Ludwig, p. 19, E 9, Schnabelkanne aus Impasto, first half seventh century, height 22.6cm. The shape of this handmade pot is particularly bold and simple. The few attached ribs, the bar handles brought together at the top, the high neck and the steep, cloverleaf-shaped mouth form ascending lines, but at the same time contribute to the balance of the shape due to their curve. These pots have primarily been found in Bisenzio, where they were probably made. -
Cypriot Decorated Bowl with Stamped Characters to Reverse
Roman Period, 2nd century B.C.-2nd century A.D.Sold for (Inc. bp): £195
A wide bowl with carinated lip and lateral lug handle on a flat base; decorated on both sides with umber pigment on a white slip; to the outer face, a snake and band motif; to the inner face, multiple bands of crescentic, triangular net and zig-zag motifs; to the underside, low-relief inscription (partly legible). 535 grams, 23.5 cm
Tackey Crist, Cyprus Museum collection, NC, USA. Ex Leland Little auctions. with Cyprus Museum of Jacksonville, North Carolina, USA.
The piece is reminiscent of earlier white-painted wares of the middle-late Cypriot period. Although wheel-made white-painted ware is known from as far back as the Late Cypriot period (1300-1200 B.C.), the present piece must date to the Roman occupation of the island (from approximately the 2nd century B.C. onwards) because of the reserved (not impressed) Latin characters extant on the underside. The characters appear to have been applied to the clay whilst the vessel was wet. The inscription is impossible to decipher fully but contains the characters ... IN... ..AN.... ...DE M..... The use of 'D rather than Greek delta 'Δ' implies a Latin text.
