Etruscan Silver Bracelet with Mounted Scarab

Comprising a bell-shaped thin-walled body with two strap handles and an everted rim, dark lip with a thin circumferential band below; each handle with a lentoid motif; narrow foot with two circumferential bands above. 206 grams, 16 cm wide



From the estate of a Swiss gentleman, Ticino, before 1970. with Galerie Rhéa, Zurich, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Daunian pottery is characterised by unique shapes and decorative motifs, which include geometric patterns, plant and animal motifs, and human figures. The pottery is typically made from a coarse clay, and it is decorated with black or dark brown slip, a type of liquid clay that is applied to the surface of the pottery before firing.

Sturdy round-section shank with image of a siren developing from a palmette finial; mounted on a custom-made stand. 376 grams, 14.5 cm (499 grams total, 17 cm high including stand)



From the USA art market. Ex Gorny & Mosch, 16 December 2008, no.24. Ex Keane collection, Kent, UK. Accompanied by a copy of the relevant Gorny & Mosch catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12649-235138. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comprising a bulbous body and a short neck with everted rim, two strap handles with incised striations continuing in an inverted V-shape beneath the handles; on each side of the body a large double spiral flanked by five curving lines, a stylised bird above. 343 grams, 16.5 cm



Ex Fortuna, Gallery for Ancient Art (Zurich, Kirchgasse 31) Basel, 7 April 1984. Private collection, Bern, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

With the arrival of the Greeks (775 B.C. at Pithekoussai, 750 B.C. at Cumae), a clear technical advancement in ceramic production was observed: impasto vessels began to show more varied patterns, were fired at higher temperatures, and were eventually replaced by wheel-made pottery in the Greek style. Despite growing populations, there remained a significant demand for this more 'old-fashioned' yet technically refined pottery. Note on the term impasto (Italian): in painting, it refers to the thick application of paint (a textured, paste-like technique). In ceramics, it refers to a thick layer of slip (a watered suspension of purified clay) applied before firing, which results in a homogenous, matte-glossy surface after firing.