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LOT 0077
Etruscan Impasto Chalice
CIRCA 6TH CENTURY B.C.
8 7/8 in. (755 grams, 22.5 cm).
With ribbed stem tapering to a low wide bowl; four loop handles on outside of bowl connecting outer lip of inverted rim to bowl; inside with nine wide equidistant grooves to centre of grooved circle at base of bowl; some restoration.
ProvenanceFrom the George R. Francoeur Trust, Bloomfield Hills, Michigan, with collection inventory no.319; acquired in 1982.
Ex Hindman Auctions, Chicago, USA, sale, lot 72.
Property of a South Australian private collector, with collection reference 20.09.
Accompanied by detailed collector's catalogue pages including description and photograph.
Accompanied by a Francoeur Trust inventory card with inventory number 82.319), along with collection label 319 to its base.
George R. Francoeur (1934-2019) received his Master’s Degree of Fine Arts from the University of Michigan and was a dedicated arts teacher for many years at Cranbrook Academy of Arts. His collection of ancient art was offered at auction by Hindman Auctions, with the proceeds benefiting the George R. Francoeur Scholarship Fund at Cranbrook Academy of Art.
Cf. De Puma, R., Corpus Vasorum Antiquorum, The Paul Getty Museum – Malibu, Etruscan Impasto and Bucchero, Malibu, 1996, pl.319, for similar example with higher neck.
FootnotesImpasto and bucchero also share techniques that were used to form and decorate the vessels. Bucchero chalices with distinctive fluted walls were popular products during the first half of the 6th century B.C. at a number of Etruscan sites. It is likely that the inspiration for fluted chalices came from metalwork. Undecorated examples have been found at Poggio Buco.
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Cypriot Archaic Stone Statue of a Votary
Iron Age, 6th century B.C.Sold for (Inc. bp): £2,210
Standing erect on a square base wearing an ankle-length robe with mantle with segmented edge draped from the left shoulder, left arm straight at his side right arm bent and fist clenched at the breast; hair cut in a bobbed style with frontal band, collected in a Near-Eastern head-cloth falling down his back; bare feet with toes emphasised; mounted on a custom-made stand. 7.3 kg, 55.5 cm including stand
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12046-217199.
The sculpture is a good example of the mixed Near Eastern and Attic Ionian styles reflected in Cypriot sculpture. Cypriot art was often influenced by both Greek and Near Eastern styles, although in phase H of the archaic period (680-400 B.C.) the Greek influence became stronger, perhaps as a result of intensified trade and political contacts between the continent, Ionia and the Aegean islands. -
Greek and Other Pottery Fragment Group
Circa 1st millennium B.C.Sold for (Inc. bp): £143
Including fragments of bowls, amphorae, pots, jugs and other items. 5.49 kg total, 3.8-22.5 cm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. -
Cypriot Brown Ware Jug
Late Bronze Age, circa 1700 B.C.Sold for (Inc. bp): £156
Comprising a bulbous body with slightly conical underside, tapering tubular neck and everted flange rim, loop handle to the shoulder; restored. 1.03 kg, 25.5 cm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
Wheelmade red lustrous ware was a ceramic of foreign origin which found its way into Cyprus during the Late Bronze Age, when international trade was widespread. According to Karageorghis it originated in Anatolia during the early Bronze Age but was known in Alasya (Cyprus) during the Late Bronze Age II.
